Of course, Nature is not without her own wrecking crew: Tornadoes, floods and hurricanes at her disposal. It is a constant battle between flesh and Nature to control the rate at which the Earth is altered. Is either entity ever really in charge? Nature dances at the whim of the Gods, Man to his own perpetual dissatisfaction. 'Tis an interesting show, with an audience of billions.
Here, let me catch you up...
What does a century look like? This series of photographs gives one an idea. The black & white scans are from the book 'Springfield Present and Prospective,' published in Springfield in 1905. The color photographs were snapped within the past couple of weeks.
The top photograph's caption readily gives up a clue of one change in the landscape of the city, referencing Main and Hillman Streets as the photographer's location at the time of the shot. Long cut off by the TD Banknorth building at 1441 Main, Hillman now right-angles to meet Bridge Street to the north instead. The corner of Main and Hillman is just a memory.
The bottom photograph was snapped from Main and Bridge Streets, a block or so north of where Hillman would have come out and the corner that the Fuller Block - in the top photo, the building's distinctive minarets drawing the appreciative eye - has occupied since 1887. Don't look for the minarets atop the building today though, they've been missing from the Springfield skyline for some time now. Ah, changes. The Worthy Hotel, opened in 1905, is the building just to the right in the bottom photo and what we'll all probably start calling the 'old' Federal Building (although it is as modern-looking as all get out: See photo at left), now that the 'new' Federal Building is up on State Street, is on the opposite corner. The first set of traffic lights you see is the intersection of Main and Worthington Streets, the next set, Taylor and Main. The railroad arch, a city stalwart, is in the northern distance.
The bottom photograph, taken a block north from the spot the top one was snapped, leaves this image to the imagination: All of the buildings in the top photograph - left and right, up to the Fuller Block - are many a day razed; pulled like props from the stage and replaced by the backdrop of the current scene. The Mass Mutual Building, the 'old' Federal Building, a park where Steiger's was...This is the organized disarray we act in now.
Again, the photographs don't perfectly line up, the photographer standing near the northwest corner of Worthington and Main Streets as he captured the top image over a century ago, the bottom photo snapped a block north, at the intersection of Main and Hampden Streets. I really have to start scanning (and printing) these old photographs before I go wandering around downtown. 'Course, then I'll have to actually remember to bring them with me. Sometimes I miss those brain cells I so easily sacrificed in my youthful quest for enlightenment.
The Worthy Hotel can be used as a landmark in each photograph. In the top photograph, it is the 8-story building on the left. In the bottom photograph, it is the tallest building - with just a corner of its roof peeking out - a block (or two traffic lights) down on the left. The Fuller Block is also represented. In the top photograph, the architecturally-adventurous crowns of the bustling hive of commerce serve as beacons of identification; in the bottom photograph, a sliver of the brick and sandstone structure can be seen just past the Worthy Hotel.
Streetcars and surreys, pedestrians and pedal bikes kick up the daily dust of living in turn-of-the-century Springfield, captured for the ages in the top image by photographer A. D. Copeland. In that photograph, The Phoenix Building, the six-story structure to the right of the Worthy Hotel, still stands: As real to Copeland in his day as the park that now occupies its footprint is in ours. The empty space where the Phoenix once stood is well-illustrated in the photograph to the right, with the Fuller Block in the left foreground and the Worthy Hotel just up the street a bit. The Post Office referred to in the caption can be seen two photographs below.
The three above photographs show how just one street corner can go from 'eh' to magnificent to 'eh' again in under a century. Which building do you prefer decorating the northwest corner of Main and Worthington Streets?
One thing that never changes is the graceful simplicity and stone solidity of 'The Arch,' the architecturally under-appreciated span that for decades has borne the burden of carrying the east-west railroad tracks that bi-sect the city across Springfield's Main Street. Walking under it today, one ponders limestone stalactites measuring time with their slow reach toward the pavement below. One feels admiration for the capable hands that laid the stone.
Witness to the upheavals and downturns of the passing population, the Massasoit House, established in 1843, is in each photograph on the left before the arch. The Massasoit House was run with considerable reputation for many years by the Chapin family, and is considered to be the oldest hotel established in Western Massachusetts, although it is presently not used as such.
Here is what J. Frank Drake, writing in the aforementioned book 'Springfield Present and Prospective,' had to say about the Massasoit House (ironically, as I read the passage, I see that the wistful reference to change is being made even back in 1905 - it's all been done - hasn't it?):
"The Massasoit House is the oldest and perhaps the most widely known hotel in western Massachusetts, and though time changes all things the spirit of change has not yet come over the reputation of this well-known hostelry. Travelers will come and go, but as of yore this house registers the most prominent families of those who make Springfield a brief sojourn. Erected in 1843, the hotel has since been considerably enlarged so that it is now more than three times its original size. The interior appointments have always been of luxurious character, and they have suffered no deterioration, while the cuisine maintains its old-time high reputation. The present proprietor, W. H. Chapin, is a nephew of M. and E. S. Chapin, and has been connected with the house about thirty years."
In 1929, the Massasoit House became home to the Paramount Theater, which became the Julia Sanderson Theater and is now the Hippodrome. For theater and old building buffs alike, there is an excellent web site called 'Cinema Treasures' that is chock-full of information on many local movie houses of historical significance. Here is a link to the site's Paramount/Hippodrome page: http://cinematreasures.org/theater/1261/.
The building on the left - just beyond the arch in the top two photographs - was home to the offices of the Boston & Albany Railroad. Today the spot is occupied by the much less decorative Peter Pan bus terminal.
And how about that banner in the second photograph? Brown taking the gridiron versus Dartmouth at Hampden Park on a crisp November Saturday the weekend before Thanksgiving. Anyone catch the score?
Back to square one, Court Square that is, where it all began. That is, after it all began on the Agawam side of the river first, before the settlers got their feet wet with the Spring floods on the low western plain along the Connecticut River, prompting the move east.
Trees now obscure the Old First Church, a bus shelter has sprung up, Main Street wears a skin of pavement 'stead of cobblestones. But the water keeps flowing through Leo, the soldier stares straight ahead and the kernel of a soul born on Saturday, July 15, 1636, with the purchase of a paradise keeps growing; and, for better or worse, keeps changing.
For more on Springfield 'then and now,' take a look at these past EWM posts:
Main and Elm: The Corner on Springfield History, June 21, 2008
Springfield's Court Square Theatre, March 28, 2008
A Century Apart: Photographs of a Building and a Statue December 24, 2007
As always, thanks for stopping by and take care.
Scanned photo credits: 1, 5, 7, Clifton Johnson; 2, 6, A. D. Copeland; 3, E. J. Lazelle; 4, Unattributed; Springfield Present and Prospective; Eugene Gardner et al; 1905; Pond & Campbell Publishers; Springfield, Mass.
Top photo: The Fuller Block