Showing posts with label Pittsfield. Show all posts
Showing posts with label Pittsfield. Show all posts

Monday, June 4, 2012

The Maplewood, Pittsfield, Massachusetts

The Maplewood in Pittsfield, Mass., has been both witness and participant to American history spanning two-hundred years. The property's saga of transformation started in 1812, when the site began to play host to a U.S. military base and later, a military prison. In the two centuries hence, The Maplewood has assumed a variety of identities including: boys' school, girls' school, resort hotel and currently, upscale condominiums. For a great timeline of The Maplewood history, check out the condo webpage: http://www.maplewoodcondos.com/history.html.



The above photograph of the The Maplewood's stately columned entryway was taken sometime between 1900 and 1920. The Maplewood was a popular Berkshire resort at the time, proprietor Arthur W. Plumb placing an ad in the May 25, 1901, Boston Evening Transcript promising, "the largest and best equipped hotel in the County" and offering "special rates for June."



In this and the following two photographs of The Maplewood, snapped between 1900 and 1920, one can note the progression of the entryway on the left from simple porch and walk to sheltered carport straddling a horseshoe driveway.



Arthur W. Plumb oversaw improvements to the property for decades, beginning in 1887. A 1927 advertisement trumpets the resort hotel's "40th season" under his ownership and management.



After two centuries of expansion and contraction, buildings raised and buildings razed, The Maplewood land has retreated a bit now: bid farewell to a multitude of rooms of secrets, rolling lawns of respite, constructions of a gilded age lost to the stretching of days. The pace of an automobile world cold assassin to the concepts of rest and relaxation. Today, condominiums: another adaptive turning of a metamorphic plot.

As always, thanks for stopping by and take care.



Photographs are from the American Memory Collection (http://memory.loc.gov/ammem/index.html) of the Library of Congress, Prints and Photographs Division, Detroit Publishing Company Photograph Collection:
Digital ID photo 1: det 4a24512 http://hdl.loc.gov/loc.pnp/det.4a24512
Digital ID photo 2: det 4a17894 http://hdl.loc.gov/loc.pnp/det.4a17894
Digital ID photo 3: det 4a24538 http://hdl.loc.gov/loc.pnp/det.4a24538
Digital ID photo 4: det 4a23821 http://hdl.loc.gov/loc.pnp/det.4a23821


Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Tuesday, July 26, 2011

Pittsfield Hoopla Festival Returns To Springside Park

(Pittsfield, MA - PRESS RELEASE) On Saturday, July 30, from 10am to 10pm, the Pittsfield City Hoopla festival will return to the public gardens of Springside Park - Pittsfield, Massachusetts’ largest public park, located at 874 North St - for its third year of festivities inspired by the craft, craze and creativity of the hula hoop. Boasting a full day of hoop related classes, contests, jams, art, vending and performance, the Pittsfield City Hoopla is a unique family-friendly event that celebrates the value of the movement arts in our everyday lives and community.

In addition to free hooping workshops for all ages and abilities on the lawn with professional teaching hoop dance artists from the Boston Hoop Troop and Hooping Harmony between 12 noon - 3pm there will also be more focused smaller workshops available for a fee.

***

Workshops with Pittsfield based movement professionals include:

10am: Openings: A Yoga Class for Entering the Hoop with Rachael Plaine of Berkshire Pure Movement and Yoga Depot

3pm Intro to HoopTap with festival maker and founder Stefanie Weber

6pm Hip Hop for the Hooper with dancer Marie Georgefils

7pm Sundown Stretch & Flow with Gillian Gorman of Radiance Yoga.

***

Workshops from visiting guest artists include:

11am Hoop Tutorial with Robin Rapture of Hoopium in New Hampshire

3pm Putting the Dance in Hoop Dance with Laura-Marie from Hooping Harmony in Greenfield , MA,

4pm On & Off Body Axis Flips & Twists with Lolli Hoops and Core Hooping: Navigating Between Waist and Neck with Rachel, both from the Boston Hoop Troop.

Space is limited for the above workshops and pre-registration is suggested. The cost is $10 per workshop and lower if you attend 3 or more.

***

Participants can begin the day by making their own hoop on site at 10am for $25 guided by Hoopla artists. Pre-registration is required and space is limited.

This year’s Hoopla will introduce some new activities for participants. ‘Yogaslacker’ Danielle Gismondi from Frog Lotus Yoga in North Adams will facilitate a slackline throughout the day. According to Slackline.com, slacklining is the sport of walking a small, flat nylon rope between two points. It is practiced in the backyard, on college campuses and city parks, and even 3000 feet above the ground. Some people do it for fun, others for the obvious athletic benefits, and others still for a meditative purpose, in seeking a higher state of mind. Since slacklining’s development in the late 1970s, slacklining has grown into an international craze, and is a common and popular pastime within the outdoor community. Also a part of the circus arts scene, slacklining is making it way back to the stage in more creative ways.

Artist Bridgit Noone will facilitate a table for coloring mandalas. The Mandala Project, founded by Lori Bailey Cunningham, explains a "mandala" as being from the classical Indian language of Sanskrit loosely translated to mean "circle”. “Far more than a simple shape, it represents wholeness, and can be seen as a model for the organizational structure of life itself--a cosmic diagram that reminds us of our relation to the infinite, the world that extends both beyond and within our bodies and minds”, she states. Both Navajo and Tibetan cultures are known for their colorful mandalas.

Returning again this year, David Frazier from the Vincent Hebert Arboretum will be leading walks along the trails at Springside Park for any one interested in learning more about the trees, gardens, and history of the grounds.

At 5pm the Hoopla will offer its first-ever hooping contest featuring prizes from local businesses. Sign-ups for the contests will occur through out the day and are open to all interested.

Food will be available for purchase on site and vendors will be selling handcrafted hoops and other creative items.

The grand finale of Pittsfield City Hoopla begins at 8pm with an “enchanted illuminated spin extravaganza” featuring live drumming by Aimee Gelinas and her Rhythm Keepers from Pittsfield, and fire hoop and dance performances by Lita Lundeen-Setchfield, Angyl Fyre, Maria Mariposa and more.

Pittsfield City Hoopla is created by Stefanie Weber/Creatures of Habitat in partnership with Pittsfield’s Office of Cultural Development and is supported in part through funding from the Massachusetts Cultural Council, Pittsfield Cultural Council and Greylock Federal Credit Union. Additional community supporters and sponsors include Mark Tomasi, Day Mountain Sound, The Earth Shoppe, BerkshireGirl, Elm St. Barber Shop, New Image Salon, Jacob’s Pillow Dance Festival Community Day, Lenox Community Center and Berkshire Dance Theater.

The 3rd annual Pittsfield City Hoopla festival will be held Saturday, July 30th, from 10am to 10pm, rain or shine. For more information visit www.pittsfieldcityhoopla.org. To pre-register for a workshop email Stefanie@fertileuniverse.com or call 413.281.6734.



Pittsfield City Hoopla festival
Free, family friendly, outdoors, rain or shine
Saturday, July 30th, 10am to 10pm
Springside Park
874 North Street, Pittsfield, MA 01201
www.pittsfieldcityhoopla.org
413-281-6734


Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy


Wednesday, August 11, 2010

Free Fun Fridays Courtesy of the Highland Street Foundation

Since 1989, the McGrath family and the Highland Street Foundation have been ardent champions of children and families in Massachusetts.  According to the foundation's mission statement:

"The Highland Street Foundation is committed to addressing the needs of children and families primarily within the states of Massachusetts and California. We direct our efforts to provide access and opportunities in the areas of education, housing, mentorship, healthcare, environment and the arts."

The Highland Street Foundation doesn't skimp in its "efforts to provide access" either, sponsoring 'Free Fun Fridays,' a series of cultural events happening around the Bay State on Fridays (and Saturday during the Grand Finale Weekend) throughout the summer, with every attendee's admission fee to each venue paid in full by the foundation.

A few of the fun events that have already taken place this summer include a visit to the Museum of Fine Arts in Boston, a day at the Franklin Park Zoo and a look back at Pilgrim life at the Plimoth Plantation.  Just these three happenings alone resulted in the Highland Street Foundation paying the way of nearly 40,000 people into some of the finest offerings of the cultural buffet that is Massachusetts!

So far, taking advantage of the foundation's generosity has entailed a bit of traveling for folks out here in the wild west, with this summer's Free Fun Fridays events calendar pointing to venues in Beantown or beyond in the early part of the season.

This Friday, August 13th, though, the fun happens a little closer to home, with free foundation-paid admission to Old Sturbridge Village, all day and for everyone. Just show up and you're in!

Other upcoming free events in or close to Western Massachusetts include, a day at the EcoTarium in Worcester (Friday, Sept. 3), the Worcester Art Museum, the Basketball Hall of Fame in Springfield and the Berkshire Museum in Pittsfield (Saturday, Sept. 4), all courtesy of the McGrath family and the Highland Street Foundation, fine and admirable folks, indeed, and well-deserving of our support.

To learn more about the Highland Street Foundation and the many good things it does for kids and families (and how you can help the foundation continue to provide those services), head over to their website at: http://highlandstreet.org/.

The foundation is also on Facebook: http://www.facebook.com/pages/Highland-Street-Foundation/336718788790

For a calendar of Free Fun Friday Summer 2010 events, visit the foundation's webpage devoted to the details at: http://highlandstreet.org/special-programs/free-fun-fridays.html




Links and dates of some of the upcoming foundation-sponsored, admission-free events:




For a handy and frequently updated list of over 80 local activities indexed for usability, check out the EWM page 'Things To Do In Western Massachusetts!'

EWM also has the most comprehensive list of regional museums on the web: 'Museums of Western Massachusetts.'



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Friday, August 6, 2010

Call for Public Art to be Exhibited in Downtown Pittsfield

North St., Pittsfield, Mass. (c1906)
(Pittsfield, MA - PRESS RELEASE) The City of Pittsfield’s Artscape committee invites artists to submit proposals for public art work to be considered for the eleventh annual Artscape public art exhibition in downtown Pittsfield, Massachusetts. Located in the center of culturally rich Berkshire County, the exhibition runs from May 2011 – April 2012. The deadline for receipt of submissions is October 31st, 2010.

The Artscape committee is pleased to announce guest review panelist, Suzanne Ramljak, writer, art historian, curator, and former editor of Sculpture magazine. Suzanne is currently editor of Metalsmith magazine. She was past editor for Glass Quarterly, as well as associate editor of American Ceramics. Ramljak has contributed to several books and catalogues, and has lectured widely on contemporary art and craft and served as guest curator for several exhibitions, among them Seductive Matter at Rice University, Houston TX, and Playtime: Toys for Adults at Brookfield Craft Center, Brookfield, CT.

In addition, this year’s review panel is comprised of Artscape committee members, artist Kathy Fleming; Leslie Ferrin, founder and owner of the Ferrin Gallery; Maria Mingalone, Director of Interpretation at Berkshire Museum, chair of Artscape and the Storefront Artist Project; Mary Rentz, President of the Berkshire Art Association; and Megan Whilden, Director of the Office of Cultural Development for the City of Pittsfield.

A city of 45,000, Pittsfield is home to the Berkshire Museum, Hancock Shaker Village, Barrington Stage Company, Colonial Theatre, Storefront Artist Project, the Berkshire Athenaeum, and a variety of other cultural attractions. Pittsfield is the largest city in Berkshire County in western Massachusetts, and is a three hour drive from both Boston and New York City. For more information on Pittsfield, please visit the city’s website at www.pittsfield.com. Pittsfield is celebrating the City’s 250th anniversary in 2011 with a year long series of events. Applicant may be interested in submitting works that link to the City’s long history. More information can be found at www.pittsfield250.com.

Artists proposing a work for public display are encouraged to visit before submitting proposals. Applicants must take into account that the site is an urban outdoor environment. Please be aware that sculptures and installations must meet safety requirements and be able to withstand the effects of weather and public use. Outdoor sculptures juried into the exhibition are placed in downtown Pittsfield for a period of one year, and can be made available for purchase while on display. Artists receive an honorarium of $1,000. One or more proposals for new and/or site-specific work may receive, as determined at the discretion of the review panel, a $2,500 honorarium.

Submissions should include the artist’s resume, a proposal of work being submitted, as well as 10 images of past work on CD, or printed images no larger than 8.5 x 11. All work must be labeled with dimensions, materials, and a date, or a separate script with the same information. To have material returned, please include a self addressed stamped envelope. Artwork will be on exhibit for a period of one year. Installations will take place between mid-March through May 2011. Deadline for receipt of proposals is October 31st, 2010 for consideration. Full guidelines and an application form are available online at www.culturalpittsfield.com or by calling (413) 499-9348.

Materials should be sent to Megan Whilden, Director of Cultural Development, Lichtenstein Center for the Arts, 28 Renne Avenue, Pittsfield, MA 01201.

The mission of the city of Pittsfield’s Artscape program is to enhance the downtown’s character and attract visitors by installing and promoting works of art in various outdoor locations accessible to the public throughout the downtown area. For more information, please call 413-499-9348.


Visit the EWM post 'Photographs: The Spokes of Park Square, Pittsfield, Massachusetts (c 1900-1920),' for images of Pittsfield past.

For a bird's-eye view look at Pittsfield in 1899, head over to the post 'Map: Bird's-eye View of Pittsfield, Massachusetts, 1899.'



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Friday, July 30, 2010

The War for the Union Pictorial Envelope - Great Barrington, Mass.

The War for the Union - Pictorial Envelope - Great Barrington, Mass

Each community in Western Massachusetts was expected to send its quota of men to fight in the war between the States.

Early on, when patriotism and war fever were high, volunteers and money were easily found and the war effort flourished. But, as the Civil War waged on and the true cost of  union began to be felt, volunteers became fewer and far-between and towns struggled to keep up with their quotas.

Bounties grew higher and higher to attract recruits and it is said that men would sometimes move into the towns that paid more lucrative bounties for enlistment. Towns strained the limits of their budgets and their male populations to provide for the defense of the Republic, ultimately requiring state aid to meet expenses.

Many ladies aid societies sprang up, raising funds to provide necessities and support for the fighting men of Western Massachusetts and the families they left behind.

For an excellent accounting of Berkshire County's cost in blood and treasure in the Civil War, penned in 1871, just five years after the defense of  liberty prevailed, visit the genealogytrails.com webpage: Berkshire County, Mass. in the Civil War featuring, A History Of Massachusetts in the Civil War, written by William Schouler at: http://genealogytrails.com/mass/berkshire/civilwar.html.

As always thanks for stopping by and take care.


Image source:  Civil War Treasures from the New-York Historical Society, [Digital ID, nhnycw/aj aj04029]
http://memory.loc.gov/cgi-bin/query/r?ammem/cwnyhs:@field(DOCID+@lit(aj04029))



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Sunday, July 25, 2010

Postcards : Berkshire County Lakes and Ponds

"Card Lake, West Stockbridge, Mass."
With the summer of 2010 shaping up to be one of the warmest on record, telling someone to "go jump in the lake" doesn't quite carry the stinging ring of dissonance it once might have. Indeed, suggesting a dive in the lake may even be considered an act of benevolence as the mercury pushes higher and higher on the Fahrenheit scale.

One never has far to go in Western Massachusetts in the quest for cool, crisp and clear water: Another blessing to count when drawing up the list.

For generations, local families have escaped the sticky cares of hot towns and cities for short-drive perches lakeside, quick bursts of warm summer memories stored for long, cold winter months like so many canned tomatoes and dated jars of piccalilli. Water bodies banked with smiles young and old, happy shouts, barbecues and badminton. At night, flashlights and toasted marshmallows and fireflies compete with a billion stars joining overhead. Damp, sandy towels drying on the line for tomorrow. In Western Massachusetts, we thaw with our lakes and ponds and sparkle radiant under the same sun.

These postcards of Berkshire County bodies of water were borrowed from the ImageMuseum (http://imagemuseum.smugmug.com), an excellent website put together by Jim and Russ Birchall with thousands of vintage Western Massachusetts postcards and photographs (and more) to peruse. Captions in quotes are from the postcards.


"Otis Pond looking West"


"Green Water Pond, Jacobs Ladder Roadway, West Becket, Mass."


"Shaw Lake Near Lee, Mass."


"Scene on Onoto* Lake, Pittsfield, Mass."


"Pontoosuc Lake showing Greylock Mountain, Pittsfield, Mass."


Okay...ready for a swim? Here's a cool website for locating local swimming holes in Massachusetts: http://www.swimmingholes.org/ma.html.

Remember be safe: Swim with a friend!

As always, thanks for stopping by and take care.


*Onota



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Saturday, August 29, 2009

Map: Bird's-eye View of Pittsfield, Massachusetts, 1899


Pittsfield was eight years a city when this bird's-eye view map was published by A. M. Van de Carr in South Schodack, N. Y., in 1899. Printed by the Weed-Parsons Printing Co. of Albany, N. Y., the map is not drawn to scale, but does include a numbered directory of Pittsfield places of interest.

The city's distinctive Park Square, fed by a quartet of streets named sensibly after the four points of the compass is seen in the lower center-right of the map. For folks interested in learning a little more about the city, captioned images of the square captured over a century ago - just around the time this map was published - can be seen in the EWM post: Photographs: The Spokes of Park Square, Pittsfield, Massachusetts (c1900-1920).

For optimal viewing, you may prefer to save this image to your computer for perusal in your favorite photo program. This map (and many others) can also be found online at the Library of Congress, in the Map Collections section of the American Memory project. And, of course, there is the ever-available EWM page, Trails, Rails and Roads: Western Mass. Maps, where you will find links to this map and similar others, as well as current local maps and popular map sites like Google maps and Map Quest.

As always, thanks for stopping by and take care.


Map source:
http://memory.loc.gov/cgi-bin/query/r?ammem/gmd:@field(NUMBER+@band(g3764p+pm003182))



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

The Federal Writers' Project: Adam Laboda, Pittsfield, Massachusetts


Pens struck idle during the Great Depression were set to scratching again courtesy of the U. S. government's Works Progress Administration and its Federal Writers' Project, vehicles designed to inject 5 billion dollars into the hurting country's economy in 1934's version of the current experiment, the American Recovery and Reinvestment Act of 2009. Unemployed writers fanned out in search of the stories stored like treasure in the soul of America. Her people spoke and shared and went back to the business of living and dying, leaving a few breaths of words strung into sentences transcribed by authors happy to have the work...the thrill of a byline most likely usurped by the promise of a comfortable meal.

Here are the words of Polish-American mill-worker Adam Laboda of Pittsfield, Massachusetts, recorded by Clair Perry a couple of weeks before Christmas, 1938. Mr. Laboda's story and many others have been digitized by the Library of Congress and are presented at its American Memory web site, in the American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940 section.

* * *


TITLE: Polish Textile Worker - Adam Laboda

WRITER: Clair Perry

ADDRESS: Pittsfield, Massachusetts

DATE: December 12, 1938

SUBJECT: Living Lore


Adam Laboda is a square faced genial man about fifty-five years old. Of Polish descent, he has been naturalized for many years. He is an expert spinner employed by the Berkshire Woolen and Worsted Company. About fifteen years ago, he purchased a five tenement wooden block on the Onota Street hill where he lives. His grown son and a daughter in her late teens live with their parents. Mrs. Laboda is a dark eyed, quiet woman evidently very proud of her family and particularly of her son although she is reluctant to be drawn into the conversation.

Both Mr. Laboda's children attended high school. The son who accompanied his father to Poland last summer works in the same factory as his father. The Labodas are known as a thrifty, hard-working family, well-liked by friends and neighbors. Mr. Laboda was dressed carefully in good street clothes when called upon following his work which ends at 3:15 p.m.

"I was born in the village of Zowisezbie, near Tarnow. I was the oldest son of nine boys and two girls and we had a farm of what is about 20 acres, America; our acres equal 2 3/4 of those here. My family of eleven persons lived in a two room house, such as a log cabin that you have, with a straw thatched roof and a great brick stove for heat and an iron range for cooking. It was whitewashed up to the eaves, the logs chinked with clay to keep out cold and wind. Our older people lived in one room cabins but the law would not allow any less than two rooms to be built at that time. The roof is now shingled with clay made like bricks or tile. I was in Poland last summer and took more than 200 pictures. I will show you some."

Mr. Laboda brought out a fine collection of snapshots, including one of the neat, white cottage where he was born with its thatched roof and another showing it with the tile roof, still another was of the home of a brother who still lives nearby in a larger frame house with wood-shingled roof and trim chimneys.

"We worked the farm together and raised everything from wheat to vegetables and had cattle and pigs and geese and ducks and chickens. You can see the fence," pointing to one of the snapshots, "that we made by sticking posts in the ground and weaving slender willow saplings in and out to keep the poultry and pigs in their yards. Those white things are sheets drying on bushes and fences."

"We made our own butter and cheeses, threshed our own grain, slaughtered our own pigs. Here is a picture of a reaping machine in the field."

The photo showed a type of reaper used in America forty years ago. The grain had to be bound by hand into sheaves after being cut and withes of the straw were used to bind them. Mr. Laboda and the interviewer exchanged memories of farm work, such as the agonizing labor of 'shocking up' barley, with its sharp beards that cut the wrists to rawness and bleeding and dug into the skin wherever the clothing was tight, so that one must work with his shirt outside his trousers and preferably sockless.

"I went to school for eight years, two of them the same as junior high school in America. I studied German two years and could speak it but not much now. There are many Germans in Poland today."

"Our life on the farm was not easy but it was not too harsh. We lived comfortably by all working together, our family. But I had an uncle in Syracuse who wrote us about America and so a party of 14 boys from around our village was made up, with a man for a leader, to go to America. We took train and traveled two days to Bremen, there we took ship and voyaged for 12 days. The boys were all from 14 to 16 years of age. This was in the great emigration period from 1890 to 1902 about. I remember we landed in New York harbor on April 2, and then went up the river to Albany on another boat and took train to Gilbertsville, Massachusetts, where there are big woolen mills. I had a friend there and I got a job in the spinning room. I had worked in a mill in Germany about two weeks, one time, but had gone back to the farm before I came to America."

"The thing that seemed strangest to us boys when we came to America were the black people, you know, the Negroes. We saw many of them in New York and some on the river boat to Albany and we could not understand why there would be black people here."

"In Gilbertsville all we boys went to work and rented rooms from Polish people who lived in company houses. Four boys to a room at $3 each a month and we bought our own food and cooked it. We earned to start with $2.77 a week and worked 64 hours a week, then we got up to $4.76 a week and for a year it was $4.64. It cost only four cents a loaf for bread and four cents a pound for meat but we had no chance to go to shows or anything; we could just squeeze by as they say now. After nine years I was earning $8.12 a week and I had got ahead faster than some of the older men who got only $5.08 a week. Our best fun was dancing in the houses and then the company built a dance hall for us so that it cost nothing to dance. There were girls living there, working in the mills, too, Polish girls who were nice."

"In 1908 I went back to Poland to see my people. My father was very sick and he wanted me to marry and have the wedding before he died. Well, that did not look so good. I did not want to marry a girl in Poland for I wanted to go back to America and I was afraid I would be kept there but I knew a girl from Gilbertsville who had gone home to a place near our village before me and so I said to my father, 'All right I will get married then.' I went to see her, this girl, and she said 'Yes' because she knew me quite well and so on October 8, 1908, we were married and on November 12, we were back in America and glad of it. I had a good job and a good wife. I was 23 years old. I came to Pittsfield then and got work in the Berkshire Woolen and have been with them since, always as a spinner."

"I went back to Poland this last summer, leaving here June 22 and returning August 20. I visited four of my brothers and a sister. You see, it is the thing in Poland for a farmer's family to leave the youngest son at home to care for the old folks and when they die he gets the farm for his own. It is a sort of tradition, and my youngest brother now owns the farm. He has kept it up as well as you can see from the pictures. But I should not want to live there; I am more glad that I came to America. It is a great country."

"The greatest moment of my life was in Poland when I went to the first mass said by my godson, a nephew, in his church in Poland. I was the guest of honor, you see; everything was done for me to welcome me. I was not called a Polack, I was always called an American and it made me very proud. They had big banquet at the parish house and another, later, at the priest's home and little girls in costume sang songs and made speeches of welcome to me and then I visited the graves of my father and mother. I also went to see a man whom I had known in school who was now a member of Parliament. He had returned to school as a grown man to study German. His name is Jacob Bojho, and he is now 90 years old. He is called a Marshal or Senator. He wears many decorations and he sat in the first Parliament after Poland was restored. The country has been twice torn apart, once by the Russians and once by Germany. I found that the lower class people, the poor ones think that Hitler is all right. I talked with many German people in Poland about it and I had a two hours talk with a professor at Cracow University who told me that a man like Franklin D. Roosevelt is born only about every 50 years and that what Europe needs is a Roosevelt to join the nations peaceably and help them to get over their troubles. The poor German people have been given work so that they can eat and they like Hitler for that. They say he is a great man but the higher classes, the richer ones, the government classes (in Poland) do not like him. They are afraid of him and of the independence of Poland of which they are very jealous. The Poles are proud of their country. They are fighters, too, and will fight to preserve their autonomy."

"I traveled around Poland on an excursion train for 15 days. It cost but $19 for the whole trip and I visited Cracow and Warsaw and other large cities and talked with many persons. I found them all believing that Roosevelt is the sort of man that they should have if they could find one. They do not want a dictator there in Poland."

"We will come out of this depression here in America yes, indeed; things look very much better now. Our plant is running well and often night and day. It was not wiped out like those other textile mills here that went under, because the Berkshire Woolen turned quickly to making cheaper cloth which is in demand and many patterns. Then, too, Mr. Noonan (the present manager and chief owner) was a labor man, himself, from north Ireland and he knew how to treat his people. So did Mr. Savery, who is dead. He was a fine man. I knew him well."

"I do not belong to any union. I did not belong to the United Textile Workers which was here years ago. It has gone out of business here. The C.I.O. is trying to organize but I do not know how much they are getting ahead, not much. The company treats its workers well. No, they did not have any old age pension before the law. I like the Social Security law very well, indeed. But in Poland we have a different one that is for unemployment, there everyone gets paid when he cannot work, and they have government inspectors who inquire why one does not work and if he doesn't want to work he does not get anything, but if he cannot find it or is unable, he is paid. His case is studied by a committee of three, one from the Government, one from the workers and a neutral one."

"In that way everyone gets paid not for just a few weeks as here but so long as he cannot find work or is unable to work. It is a good law."

"I will tell you about what happened to those 14 Polish boys who came to America together. Four of them committed suicide, one shot himself, one hung himself, one took poison, one drowned himself. There is one who is a big contractor in Buffalo, another who has a large store in Boston. The four who killed themselves had left the church and took to drinking and that finished them. The rest are working something like me."

* * *


As always, thanks for stopping by and take care.


More local stories from the Federal Writer's Project on EWM:

http://explorewmass.blogspot.com/search/label/Federal%20Writers%27%20Project



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Monday, October 8, 2007

Photographs: The Spokes of Park Square, Pittsfield, Massachusetts (c 1900-1920)

Author Frank W. Kaan, in his article 'Historical Sketch of Pittsfield,' published in the January, 1885, issue of The Bay State Monthly, describes the layout and character of that town in the late 19th century as such:
"The four principal streets of the town, named from the points of the compass, meet at the Park. North street contains the bulk of the stores and business places. On the corner of West street is the building of the Berkshire Life Insurance Company, which was incorporated in 1851, and has always included among its Directors and Managers the best business men in the town and county, who naturally take great pride in it as one of the soundest Life Insurance Companies of the country. In the same building are three national and one savings bank, besides the town and other offices. Immediately beyond is Mr. Atwoods drug store, an establishment of long standing, which would bear favorable comparison with any similar store as regards either attention or knowledge of a druggists duties. Farther along the same street are Central Block and the Academy of Music. In other parts of Pittsfield broad streets, lined with tall elms and shady horse-chestnut trees, invite our footsteps. The dwelling-houses are mostly of wood, built in the cottage and villa styles of architecture; many are stately edifices; many are hospitable mansions; all show unmistakable evidence of being comfortable homes. Scattered over the township, each springing up around a mill or two, are miniature villages. Their population is largely made up of foreigners, Irish and Germans, whose condition appears to be somewhat better than that of the same class in cities. Both sexes are represented among the operatives. The mills, mostly small, are located with a view to an opportunity for using water power, yet none are without steam power as well. In the same neighborhood are the large farms and expensive estates of the mill-owners, the wealthiest class in the community. Between the villages, in fact, upon all the roads, every turn brings in sight pleasing views which never repeat themselves or become monotonous."
Relatively soon after Kaan's short history was published, in 1891, Pittsfield - originally incorporated as Pontoosuck Plantation in 1753 - was incorporated as a city. Perhaps Kaan was a bit off in his observation six years before, that: "Pittsfield, although one of the largest towns in the country, is not ambitious to try a city form of government."

The following photographs from the Library of Congress, Detroit Publishing Company Collection show the young city's Park Square and its spokes of streets - named with the simplicity of the compass - in the early 20th century.


Park Square, circa 1906. The First Congregationalist Church on Park Place is the building on the left in the photo. To the right of the church, obscured by trees, is Pittsfield's City Hall, located on the corner of Park Place and Allen Street. The streetcars were operated by the Berkshire Street Railway. The soldier's monument is on the west side of Park Square.


Looking up North Street from South Street/Park Square, circa 1905-15. The first building in the right of the photo is the Berkshire County Savings Bank, located on the corner of Park Place and North Street. The six-story building on the left is the Wendell Hotel, on the corner of South and West Streets. Across West Street from the Wendell is the Berkshire Life Insurance Company, which marks the beginning of North Street.


North Street, circa 1906. The Berkshire County Savings Bank is the building to the far right in the photo. The building further up North Street - in the center of the photo - with the tall dome-roofed steeple, is the First Baptist Church. Narrow, and hardly discernible, School Street separated the church from the Geer Block to its south - to the right of the church in this photo. At the end of School Street, where it met Allen Street, was Pittsfield's Central Fire Department station.


Looking south down North Street towards Park Square, circa 1905-15. The distinctive domed spires of the First Baptist Church are conspicuous against the gray and raining sky.


South Street from the east, circa 1905-15. The South Congregational Church is seen through the trees, on the corner of South and Church Streets.


East Street, circa 1905-15.


East Street from Park Square, circa 1910-20.


West Street from Park Square, circa 1900-15. The Wendell hotel is the building on the left, occupying the corner of South and West Streets. Across the street, to the hotel's right , is the Berkshire Life Insurance Company building. on the corner of North and West Streets. Union Station, Pittsfield's railroad depot, was straight ahead up West Street. It didn't take long from the time the first locomotive rolled into Pittsfield on May 4, 1841, for rail service to become an important facet of the city, linking its mills and people to Albany and Boston and points beyond.


For a look at 1899 Pittsfield from a pigeon's perspective, check out the EWM post, Map: Bird's-eye View of Pittsfield, Massachusetts, 1899.

As always, thanks for stopping by, and take care.



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Saturday, August 11, 2007

Legend: "The White Deer of Onota"

Mystical tales of the natural world mixing with the supernatural - ethereal awakenings erasing the boundaries of stone and river, reason and intellect - creep like fingers of fog off the western ridges: Aeries of soaring legend, misty nests of cosmic truth. The Berkshires are laced with the stories of man and myth. One of the most well-known tales is the legend of the White Deer of Onota. 'Tis a cautionary tale, to be sure.

Here is the story, 'The White Deer of Onota,' as taken from the book 'Tales of Puritan Land; Myths and Legends of Our Own Land, Vol. 4,' written by Charles M. Skinner (1852-1907).

THE WHITE DEER OF ONOTA

Beside quiet Onota, in the Berkshire Hills, dwelt a band of Indians, and while they lived here a white deer often came to drink. So rare was the appearance of an animal like this that its visits were held as good omens, and no hunter of the tribe ever tried to slay it. A prophet of the race had said, "So long as the white doe drinks at Onota, famine shall not blight the Indian's harvest, nor pestilence come nigh his lodge, nor foeman lay waste his country." And this prophecy held true. That summer when the deer came with a fawn as white and graceful as herself, it was a year of great abundance. On the outbreak of the French and Indian War a young officer named Montalbert was despatched to the Berkshire country to persuade the Housatonic Indians to declare hostility to the English, and it was as a guest in the village of Onota that he heard of the white deer. Sundry adventurers had made valuable friendships by returning to the French capital with riches and curiosities from the New World. Even Indians had been abducted as gifts for royalty, and this young ambassador resolved that when he returned to his own country the skin of the white deer should be one of the trophies that would win him a smile from Louis.

He offered a price for it--a price that would have bought all their possessions and miles of the country roundabout, but their deer was sacred, and their refusal to sacrifice it was couched in such indignant terms that he wisely said no more about it in the general hearing. There was in the village a drunken fellow, named Wondo, who had come to that pass when he would almost have sold his soul for liquor, and him the officer led away and plied with rum until he promised to bring the white doe to him. The pretty beast was so familiar with men that she suffered Wondo to catch her and lead her to Montalbert. Making sure that none was near, the officer plunged his sword into her side and the innocent creature fell. The snowy skin, now splashed with red, was quickly stripped off, concealed among the effects in Montalbert's outfit, and he set out for Canada; but he had not been many days on his road before Wondo, in an access of misery and repentance, confessed to his share of the crime that had been done and was slain on the moment.

With the death of the deer came an end to good fortune. Wars, blights, emigration followed, and in a few years not a wigwam was left standing beside Onota.

There is a pendant to this legend, incident to the survival of the deer's white fawn. An English hunter, visiting the lake with dog and gun, was surprised to see on its southern bank a white doe. The animal bent to drink and at the same moment the hunter put his gun to his shoulder. Suddenly a howl was heard, so loud, so long, that the woods echoed it, and the deer, taking alarm, fled like the wind. The howl came from the dog, and, as that animal usually showed sagacity in the presence of game, the hunter was seized with a fear that its form was occupied, for the time, by a hag who lived alone in the "north woods," and who was reputed to have appeared in many shapes--for this was not so long after witch times that their influence was forgotten.

Drawing his ramrod, the man gave his dog such a beating that the poor creature had something worth howling for, because it might be the witch that he was thrashing. Then running to the shanty of the suspected woman he flung open her door and demanded to see her back, for, if she had really changed her shape, every blow that he had given to the dog would have been scored on her skin. When he had made his meaning clear, the crone laid hold on the implement that served her for horse at night, and with the wooden end of it rained blows on him so rapidly that, if the dog had had half the meanness in his nature that some people have, the spectacle would have warmed his heart, for it was a prompt and severe revenge for his sufferings. And to the last the hunter could not decide whether the beating that he received was prompted by indignation or vengeance.


The Legend of Wahconah Falls on EWM.



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy

Photo: Onota Lake, Pittsfield, Massachusetts

"Glimpse of Onota Lake. Pittsfield, Mass." (c. 1905-15)

More on EWM: Postcards : Berkshire County Lakes and Ponds.

Source: Library of Congress Prints and Photographs Division, Detroit Publishing Company Photograph Collection, Digital ID: det 4a23825



Home|Welcome|Table of Contents|Explore|Upcoming Events|Patrons|Marketplace|Contact|Privacy