Showing posts with label Federal Writers' Project. Show all posts
Showing posts with label Federal Writers' Project. Show all posts

Saturday, September 18, 2010

The Federal Writers' Project: George O. Dunnell, Northfield, Massachusetts

Montague St., Lake Pleasant, Mass.

The Federal Writer's Project began in an effort to put idle writers to work in the throes of the Great Depression. Funded as part of the Works Progress Administration, the project collected the memories of ordinary Americans as government-hired wordsmiths fanned out into the countryside armed with pads and pencils and the patience to listen.

For more stories and additional information about the Federal Writer's Project, check out the collection American Life Histories, Manuscripts from the Federal Writers' Project, 1936-1940, at the website of the Library of Congress: http://memory.loc.gov/ammem/wpaintro/wpahome.html.

The following is a segment of the ruminations of Northfield merchant, George O. Dunnell, discussing Spiritualism and Lake Pleasant, Massachusetts.

* * *

STATE Massachusetts

NAME OF WORKER Robert Wilder

ADDRESS Northfield, Massachusetts

DATE July 10, 1939

SUBJECT Living Lore

NAME OR IMFORMANT G. O. Dunnell

ADDRESS Northfield, Massachusetts


I stopped in to ask Mr. Dunnell if he would like to go along with me on an errand to Lake Pleasant, our "resort" lake beyond Millers' Falls. Mr. Dunnell's rheumatism was "botherin'", business was dull and the excursion proved to be a pleasant diversion.

As we jogged along in my ancient puddle jumper Mr. Dunnell reminisced.

"The only time I ever went to Lake Pleasant was when I was working in Deerfield, and the railroad run an excursion from Greenfield one Sunday. I wanted to hear Nellie Brigham. She was a Colrain girl. Nope, I never took much interest in Spiritualism.

"They was a feller up in Colrain that felt somethin' the way I do now. He had no use for Spiritualists. But his wife was a real devout one. Used to go to all the meetings, and to the camp meeting at Lake Pleasant.

"Lake Pleasant was quite a place in them days - that is, summers.

They wan't nothin' but a few caretakers there winters. The cottages set right side by side, close enough so that you couldn't walk between most of 'em. And they wan't anywhere near the lake, 'cept a few of 'em. They was all through the woods, laid out in blocks with streets and numbers and things. They was a common, somewheres near the center, where they had balloon ascensions and parachute jumps, sometimes. And they was hotels and stores and boarding houses - everything in the pine woods. And, of course, a railroad station. They was a steamboat landing, too, where you could get a ride around the lake for ten cents, and wooden swings, with backs, that would hold two people. They was a couple of amphytheatres in the woods with wooden seats, where if it rained, everybody would get wet except the speaker or the band, which had a little house of their own, down in the center. And, of course, they was the Temple, which was a kind of a church for the Spiritualists. They was also a circle of wooden benches around a flag pole, 'way off in the woods, where the 'mystic circles' was held. And practically every house had a fortune teller in it. Most of 'em wan't Spiritualists at all. They was only in the thing to make money. Oh, it was some place. They built a trolley line out there, too. And on Sunday afternoons when the weather was right, the place was,jammed like Coney Island. People doing nothing but walk up and down 'til they was tuckered out, then sitting down and watching the rest go by.

"They was wuth wat in' watchin', too. The gals had hair that was done way up high, so that their big hats, with flowers and garden truck on 'em, stood right up edgeways. Their hair made an arch above their faces that looked sunthin' like a fat sausage, or maybe, part of a life preserver- I mean the hair, not the faces. They had on shirt waists with high collars that had bones in'em and ruchin' around the edge. They had heavy black, skirts that dragged in the dust, and when they held 'em up a bit, you'd see a little of a white petticoat with flounces on it. Some of 'em carried parasols, but mostly the fellers carried 'em for them. They was pretty busy, what with holding up their skirts to keep 'em from dragging in the dust and feeling around back, slily, to see that their shirt waist hadn't parted company with their skirt. 'Course, I didn't see any, but just the same, I know that they all wore straight front corsets, 'cause that's what give 'em the funny shapes they had.

"Oh, yes, I guess we'd laugh at the fellers now. But they didn't look funny then. Those curly brim derbies would be good for a laugh. And we had long hair, except that it was trimmed - 'blocked' we called it - over our ears and 'round in back, and then our necks shaved, so when we had our derbies on, it looked from the back as if we was wearing felt wigs. And maybe we didn't have some collars. The feller who could wear the highest was best man, I guess. Anyway, some of the collars was stiff, white ones three four inches high. Our coats was padded in the shoulders - reg'lar feather bed on each side. And our britches was 'peg tops.' Don't know where the name come from out the pants was fairly small around the ankles the flaring in the seat. Then most of us had 'bull dogs' for shoes. They was mostly bright yellow. And they had turned up toes with knobs on 'em. Fairly high heels, too. And we wore detachable cuffs, and ready tied neckties, and had watch chains with things hanging on 'em.

"But I'm getting pretty fur away from that feller up in Colrain that had the Spiritualist wife, and didn't believe in spirits himself. He lived on the Shelburne Falls-Colrain Road where the trolley used to run. Shattackville was the name of the place.

"One morning before he got up he was lying there thinking about Spiritualism, and how devoted to it his wife was. And what a comfort it seemed to be to her. 'By George!' he says right out loud, 'I wish that if they's anything in Spiritualism that it would take hold of me! 'He said, next thing he knew suntain' grabbed him. Yes, sir. Yanked him up right out of bed and left him standing shivering out there in the cold. That settled it, he said. He became a believer. Anyway, he built a temple on his place where they used to hold meetings - large building it was, with blue glass winders - still standing, I guess, 't was the last time I was up that way. Folks laughed though. No wonder he believed in Spiritualism. He was a practicing spiritualist all right. Had been right along. Yer see, his business was making cider brandy. And he had his distillery right there next the temple. And as cider brandy is what spirits they is in cider, he was pretty familiar with 'em. They say that that combination of a spirit temple, and a spirit distillery, along with a picnic grove was a pretty profitable thing. And that the spirits made him good and prosperous. I don't know anything about it, but that's what the talk was. Maybe it was the idea of the money he'd make that yanked him out of bed."


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Saturday, December 19, 2009

The Federal Writers' Project: Ella Bartlett, Brookfield, Massachusetts


In the 1930s, every fourth working-age American one met was likely to be unemployed, a victim of the crash of United States' economy and the ensuing country-wide cloud of the Great Depression. Those who were fortunate enough to have jobs were usually paid low wages. The pall of poverty hung upon the land.

Democrat Franklin D. Roosevelt's inauguration in March, 1933, ushered in not only a new president but, "a new deal for the American people," as Roosevelt referred to it. Shortly after taking office, Roosevelt established the Works Progress Administration (WPA), a federal jobs program which ultimately served to benefit 8,500,000 unemployed citizens by putting them to work for Uncle Sam. The Federal Writer's Project was one of the vehicles the WPA used to create jobs, hiring veteran and novice writers alike to record the life story of America and the people who built her. For about twenty dollars a week, over six-thousand wordsmiths across the country would scratch pencil to paper as ordinary, average folks told them their stories. Funny thing is, one is reminded with each salt-of-the-earth recollection and reminisce that Americans are anything but ordinary or average folks.

The following story and more can be found in the American Life Histories: Manuscripts from the Federal Writer's Project, 1936-1940 digitized collection on the American Memory web site maintained by the Library of Congress. Brookfield is located in west-Central Massachusetts, but hopefully readers will excuse the excursion out of the Western Massachusetts area for the gem of the story it is.

* * *

TOPIC: Ella Bartlett

WRITER: Louise G. Bassett

ADDRESS: Brookfield, Massachusetts

DATE: December 23, 1939

TITLE: Living Lore



Miss Ella Bartlett does not call on people indiscriminately. When she "pays" a call, she has some purpose in mind. Formal calls are permissible without a purpose but they must be short and "formal." Therefore it is not always easy to catch Miss Bartlett. We had tried to coax her to come see us on one pretext or another to no avail. We knew better than to call on her without a purpose. Therefore we felt it a triumph when we met her at the Community Christmas Tree two days before Christmas and got her so interested in telling of old times, she came in and "sat" for over a half hour.

It was two days before Christmas and on my way home from the post-office I went around by the Common to see the town Christmas Tree and hear the church carolers welcome the Christmas season. As I stood looking and listening I thanked the good Lord that he had spared the Christmas Tree, planted three years ago by the local Parent-Teachers Association for a town Community Tree. When the September hurricane smashed and ripped and tore all before it, hundreds of our fine old elm and maples of which Brookfield is so proud, were destroyed, but "our" tree remained standing, tall and slim.

A voice beside me said, "It's a beautiful tree, isn't it? Perfectly shaped, jest right to hang lights on and not have them look higglety-pigglety, as most Christmas trees do."

It was Miss Ella Bartlett, her arms full of bundles, who had spoken.

We listened while the voices of the carolers came across the sharp clear cold in those glorious strains of "Silent Night, Holy Night," "Hark the Herald Angels Sing." I lingered on but the late afternoon was bitterly cold and the lure of my warm kitchen too strong. Miss Bartlett seemed to agree. We moved off slowly, listening and looking back. The singers had evidently gained full confidence in themselves and the "welkin was ringing" with the sound of their voices. They sounded heavenly to me, but not so to my companion.

"Humph," she snorted, if such a gentle lady can really snort, "that may be called singing by some but to my ears, it's jest noise. Land, but it makes me think back to the days when Brookfield really had some good Christmas sings. It was right over where the post office is today that the old Town Hall stood for years and years. Every Christmas Eve, the young and the old, why most everybody who was anybody in town,would go down to the Hall for the Christmas sing. There, right there is where the Hall stood."

Miss Bartlett was so excited in pointing she almost dropped her bundles. "I can't understand why they tore it down."

"Well, you know how it is. The old buildings, like the old people have to go, and the new ones replace them. That's life." My reply, made just to keep the conversation going, was a faux pas indeed.

"Maybe that's what some folks think," Miss Bartlett's voice had a cutting edge. "But I can tell you I cried myself sick the day they started tearing the old Town Hall down. It was like takin' off one of my arms. They didn't need to do it either, even if it was too old to use. Why not let it stand like a monument. Heavens known's we got plenty of room here in town to put up hundreds of buildings without takin' down any one of 'em that's standin'. It wasn't a bad lookin' building, neither - red brick, looked good on the outside, had a fountain and a nice one too." (I had seen the fountain but didn't recognize it as such until some one had said "That is a fountain.")

By this time I was hopping from one foot to the other to keep from becoming a solid piece of ice.

"Come in my house and get warm and tell me about the good times you used to have on Christmas Eve," I urged, and being half frozen herself, she came.

"Of course," she chattered on. "We used to have singin' school all during the winter but for Christmas we would have extra songs and hymns. We used to always look forward to our 'Christmas Sing,' that's what we called it. Only things that were appropriate would be chosen and we'd practice for weeks on 'em - then at last the night would come.

"First, the ladies would give a supper in the Congregational Church. That started at six o'clock sharp. Usually it was a turkey supper, that bein' a special occasion. We didn't have turkey those days like we do now. Turkey was a delicacy, let me tell you. Of course, we had lots of church suppers during the winter but they'd be baked bean suppers, chicken pie suppers or scalloped oysters. Only on Christmas Eve would there be a turkey supper, so that made it more like an 'occasion.'

"Everything was always so good. The supper was good and so were the speeches. Some of the men always had something to say, especially the ministers. Some of 'em were real cute, too, what they said. Anyway they seemed good to us. We always tried to sit by some boy we liked especially, so's he could sort-a look after us and let me tell you, men were much more polite those days then they are now. Much more.

"They used to take off their hats when they met you on the street, and they'd give you their arm or take yours and they'd help you across the street and always be on the outside of the walk, to protect you and they'd hold your coat for you and tuck in your sleeves." Miss Ella's sigh was long and gusty. "Well anyway, as I was sayin'. So many people would come to the Christmas supper that the tables would have to be set up two times, so, with everybody having their supper and the speeches, it was always at least eight o'clock before we'd get over to the Town Hall.

"The hall was always decorated with wreaths and American flags and it was all real gay and exciting. The girls always had extra nice dresses that night for it was the 'event' of the whole year and we girls would try to get a different color from what any other girl had. The older women would wear their best black grosgrain silk with mostly always some real lace around the neck and sleeves.

"We always had a piano - and a bass viol and as many violins as they could scare up. We used to have guests, too, that could sing fine. They'd come from the nearby towns and of course, we always had a choir master. He always had a baton and he'd lead us. When he raised it we was supposed to all rise at the same time; sometimes we'd practice rising for weeks and we'd get so that when he'd hold up his baton we'd get up jest as though we was one person.

"And then we'd sing- jest sing our very best and most always it was grand. We had one leader who'd stamp his feet and shake his baton at us and you'd think he would maybe jump on any one of us any second. Oh, he'd have an awful time. My father said he was sure he was only actin' but even so he made us sing better then any other leader I can remember.

"We did best, I think, with 'When shepherds watch their flocks at night,' at least I liked it best. We'd sing until ten or ten thirty, then we'd sing "When Marshaled on the Mighty Plains' - most all 'sings' ended that way - and then we'd finish with the Doxology. We were always so sorry when the 'sing' was over.

"We girls would generally come with our parents but we'd feel ashamed if some boy didn't take us home. We girls would put on our coats and fasinators and after we got fixed to go we'd try to look unconscious as we would sort-a saunter to the outside door. It was real excitin' to see all the people and the sleighs and see the horses shake their heads and hear 'em jingle their bells. The boys would be standin' outside by the door waitin' for some special girl and your heart'd be in your mouth 'till one of 'em would step up and say, 'Can I see you safe home tonight?'

"Lots of times couples would get engaged that night. The girls would look so pretty and the snow and the gaiety and all would make you like a boy even if you didn't.

"Those were the days when people enjoyed themselves - you never heard any lad say he was 'bored' as you do now. Do you 'spose those people goin' around tonight singin' carols are havin' any fun? Course they ain't, they're goin' round bein' froze and catchin' their deaths of cold, maybe." Miss Bartlett grasped her bundles more firmly and grimaced.

"You were a real community in those days, weren't you?" I asked.

"I should say so," she was really indignant at the question. "It's the automobile's fault, every stitch of it. Of course we can go more places and get there quicker, but what's the use of it all? Anyone can go to Worcester any time, any day, and it don't mean a thing.

"When I was a young girl, if we wanted to go to Worcester and were goin' to drive - as we most always did, goin' such a short distance on the train was looked upon as wicked extravagance - we'd begin makin' plans a week or two in advance. We would make a list of the things we wanted and what our neighbors wanted. Of course everybody in town knew we were goin' and almost everybody we knew would ask us to do some shopping for them. My, what a list we'd have when we finally got goin'.

"We'd start early in the mornin' and at almost every window or door that we passed as we drove on our way out of town, we'd see some one watchin' the 'Bartletts's goin' to Worcester.' It would take at least four hours to reach there for remember the roads were not what they are nowadays. But we wouldn't be tired, leastways, not us young folks, we'd be too excited.

"We always took a lunch and every now and then we'd take a sandwich and munch away on it as we went along. We'd shop, as we call it nowadays, it was 'tradin'' then, until it began to grow dark and then we'd start for home, more dead then alive, but at that, all kinda quivery inside from the excitement of it all.

"We'd get home and be dog tired for a day or two, but, oh, my dear woman, that trip would last us for weeks and weeks and of course, we'd be consulted as to the 'latest' styles until some one else made the trip.

"I was sayin' the other day to some one -- don't remember who it was -- that the clerks in the stores don't tell you anymore when you're buyin' something 'that's what they're wearin' in New York' or 'that's brand new, even the New Yorkers are just beginning to use them.' My father used to say 'You're a crazy lot of women to be following what those salesgirls tell you. Probably those things you been buyin' are old-fashioned by now in New York. How do you know what they're wearin' in New York? You haven't been there.' Maybe Father was right. He mostly always was, but anyway it gave you a wonderful feeling to have the girls all looking at your gloves or your new dress and envying you because you could say, 'It's what they're wearin' in New York.'" Miss Bartlett sighed once more. "But that's all gone now, for we can get the same thing that the New Yorkers are wearing at the very minute they're wearin' them. But what good does it do? We're not nearly so happy as we were in the 'old' days when things were slower and people had more time for good times. Take my word for it, you can blame the automobile for the whole thing. If people weren't running around in automobiles all the time spending all their time and money on 'em, we wouldn't be in such trouble all the time."

With this parting shot Miss Bartlett gathered her neatly wrapped bundles together, pulled her coat collar higher and announced she was leaving. Leave she did, after wishing me a dignified but certainly far from jovial "Merry Christmas."

* * *

As always, thanks for stopping by and take care.

More Federal Writers' Project on EWM.


(Photo: The "new" Brookfield Town Hall, dedicated 1904)




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Saturday, August 29, 2009

The Federal Writers' Project: Adam Laboda, Pittsfield, Massachusetts


Pens struck idle during the Great Depression were set to scratching again courtesy of the U. S. government's Works Progress Administration and its Federal Writers' Project, vehicles designed to inject 5 billion dollars into the hurting country's economy in 1934's version of the current experiment, the American Recovery and Reinvestment Act of 2009. Unemployed writers fanned out in search of the stories stored like treasure in the soul of America. Her people spoke and shared and went back to the business of living and dying, leaving a few breaths of words strung into sentences transcribed by authors happy to have the work...the thrill of a byline most likely usurped by the promise of a comfortable meal.

Here are the words of Polish-American mill-worker Adam Laboda of Pittsfield, Massachusetts, recorded by Clair Perry a couple of weeks before Christmas, 1938. Mr. Laboda's story and many others have been digitized by the Library of Congress and are presented at its American Memory web site, in the American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940 section.

* * *


TITLE: Polish Textile Worker - Adam Laboda

WRITER: Clair Perry

ADDRESS: Pittsfield, Massachusetts

DATE: December 12, 1938

SUBJECT: Living Lore


Adam Laboda is a square faced genial man about fifty-five years old. Of Polish descent, he has been naturalized for many years. He is an expert spinner employed by the Berkshire Woolen and Worsted Company. About fifteen years ago, he purchased a five tenement wooden block on the Onota Street hill where he lives. His grown son and a daughter in her late teens live with their parents. Mrs. Laboda is a dark eyed, quiet woman evidently very proud of her family and particularly of her son although she is reluctant to be drawn into the conversation.

Both Mr. Laboda's children attended high school. The son who accompanied his father to Poland last summer works in the same factory as his father. The Labodas are known as a thrifty, hard-working family, well-liked by friends and neighbors. Mr. Laboda was dressed carefully in good street clothes when called upon following his work which ends at 3:15 p.m.

"I was born in the village of Zowisezbie, near Tarnow. I was the oldest son of nine boys and two girls and we had a farm of what is about 20 acres, America; our acres equal 2 3/4 of those here. My family of eleven persons lived in a two room house, such as a log cabin that you have, with a straw thatched roof and a great brick stove for heat and an iron range for cooking. It was whitewashed up to the eaves, the logs chinked with clay to keep out cold and wind. Our older people lived in one room cabins but the law would not allow any less than two rooms to be built at that time. The roof is now shingled with clay made like bricks or tile. I was in Poland last summer and took more than 200 pictures. I will show you some."

Mr. Laboda brought out a fine collection of snapshots, including one of the neat, white cottage where he was born with its thatched roof and another showing it with the tile roof, still another was of the home of a brother who still lives nearby in a larger frame house with wood-shingled roof and trim chimneys.

"We worked the farm together and raised everything from wheat to vegetables and had cattle and pigs and geese and ducks and chickens. You can see the fence," pointing to one of the snapshots, "that we made by sticking posts in the ground and weaving slender willow saplings in and out to keep the poultry and pigs in their yards. Those white things are sheets drying on bushes and fences."

"We made our own butter and cheeses, threshed our own grain, slaughtered our own pigs. Here is a picture of a reaping machine in the field."

The photo showed a type of reaper used in America forty years ago. The grain had to be bound by hand into sheaves after being cut and withes of the straw were used to bind them. Mr. Laboda and the interviewer exchanged memories of farm work, such as the agonizing labor of 'shocking up' barley, with its sharp beards that cut the wrists to rawness and bleeding and dug into the skin wherever the clothing was tight, so that one must work with his shirt outside his trousers and preferably sockless.

"I went to school for eight years, two of them the same as junior high school in America. I studied German two years and could speak it but not much now. There are many Germans in Poland today."

"Our life on the farm was not easy but it was not too harsh. We lived comfortably by all working together, our family. But I had an uncle in Syracuse who wrote us about America and so a party of 14 boys from around our village was made up, with a man for a leader, to go to America. We took train and traveled two days to Bremen, there we took ship and voyaged for 12 days. The boys were all from 14 to 16 years of age. This was in the great emigration period from 1890 to 1902 about. I remember we landed in New York harbor on April 2, and then went up the river to Albany on another boat and took train to Gilbertsville, Massachusetts, where there are big woolen mills. I had a friend there and I got a job in the spinning room. I had worked in a mill in Germany about two weeks, one time, but had gone back to the farm before I came to America."

"The thing that seemed strangest to us boys when we came to America were the black people, you know, the Negroes. We saw many of them in New York and some on the river boat to Albany and we could not understand why there would be black people here."

"In Gilbertsville all we boys went to work and rented rooms from Polish people who lived in company houses. Four boys to a room at $3 each a month and we bought our own food and cooked it. We earned to start with $2.77 a week and worked 64 hours a week, then we got up to $4.76 a week and for a year it was $4.64. It cost only four cents a loaf for bread and four cents a pound for meat but we had no chance to go to shows or anything; we could just squeeze by as they say now. After nine years I was earning $8.12 a week and I had got ahead faster than some of the older men who got only $5.08 a week. Our best fun was dancing in the houses and then the company built a dance hall for us so that it cost nothing to dance. There were girls living there, working in the mills, too, Polish girls who were nice."

"In 1908 I went back to Poland to see my people. My father was very sick and he wanted me to marry and have the wedding before he died. Well, that did not look so good. I did not want to marry a girl in Poland for I wanted to go back to America and I was afraid I would be kept there but I knew a girl from Gilbertsville who had gone home to a place near our village before me and so I said to my father, 'All right I will get married then.' I went to see her, this girl, and she said 'Yes' because she knew me quite well and so on October 8, 1908, we were married and on November 12, we were back in America and glad of it. I had a good job and a good wife. I was 23 years old. I came to Pittsfield then and got work in the Berkshire Woolen and have been with them since, always as a spinner."

"I went back to Poland this last summer, leaving here June 22 and returning August 20. I visited four of my brothers and a sister. You see, it is the thing in Poland for a farmer's family to leave the youngest son at home to care for the old folks and when they die he gets the farm for his own. It is a sort of tradition, and my youngest brother now owns the farm. He has kept it up as well as you can see from the pictures. But I should not want to live there; I am more glad that I came to America. It is a great country."

"The greatest moment of my life was in Poland when I went to the first mass said by my godson, a nephew, in his church in Poland. I was the guest of honor, you see; everything was done for me to welcome me. I was not called a Polack, I was always called an American and it made me very proud. They had big banquet at the parish house and another, later, at the priest's home and little girls in costume sang songs and made speeches of welcome to me and then I visited the graves of my father and mother. I also went to see a man whom I had known in school who was now a member of Parliament. He had returned to school as a grown man to study German. His name is Jacob Bojho, and he is now 90 years old. He is called a Marshal or Senator. He wears many decorations and he sat in the first Parliament after Poland was restored. The country has been twice torn apart, once by the Russians and once by Germany. I found that the lower class people, the poor ones think that Hitler is all right. I talked with many German people in Poland about it and I had a two hours talk with a professor at Cracow University who told me that a man like Franklin D. Roosevelt is born only about every 50 years and that what Europe needs is a Roosevelt to join the nations peaceably and help them to get over their troubles. The poor German people have been given work so that they can eat and they like Hitler for that. They say he is a great man but the higher classes, the richer ones, the government classes (in Poland) do not like him. They are afraid of him and of the independence of Poland of which they are very jealous. The Poles are proud of their country. They are fighters, too, and will fight to preserve their autonomy."

"I traveled around Poland on an excursion train for 15 days. It cost but $19 for the whole trip and I visited Cracow and Warsaw and other large cities and talked with many persons. I found them all believing that Roosevelt is the sort of man that they should have if they could find one. They do not want a dictator there in Poland."

"We will come out of this depression here in America yes, indeed; things look very much better now. Our plant is running well and often night and day. It was not wiped out like those other textile mills here that went under, because the Berkshire Woolen turned quickly to making cheaper cloth which is in demand and many patterns. Then, too, Mr. Noonan (the present manager and chief owner) was a labor man, himself, from north Ireland and he knew how to treat his people. So did Mr. Savery, who is dead. He was a fine man. I knew him well."

"I do not belong to any union. I did not belong to the United Textile Workers which was here years ago. It has gone out of business here. The C.I.O. is trying to organize but I do not know how much they are getting ahead, not much. The company treats its workers well. No, they did not have any old age pension before the law. I like the Social Security law very well, indeed. But in Poland we have a different one that is for unemployment, there everyone gets paid when he cannot work, and they have government inspectors who inquire why one does not work and if he doesn't want to work he does not get anything, but if he cannot find it or is unable, he is paid. His case is studied by a committee of three, one from the Government, one from the workers and a neutral one."

"In that way everyone gets paid not for just a few weeks as here but so long as he cannot find work or is unable to work. It is a good law."

"I will tell you about what happened to those 14 Polish boys who came to America together. Four of them committed suicide, one shot himself, one hung himself, one took poison, one drowned himself. There is one who is a big contractor in Buffalo, another who has a large store in Boston. The four who killed themselves had left the church and took to drinking and that finished them. The rest are working something like me."

* * *


As always, thanks for stopping by and take care.


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Saturday, December 6, 2008

The Federal Writers' Project: Edward O'Neil, Brookfield, Massachusetts

Traveling a bit east today and in light of the season, here is a story of Christmas-past from the Depression-era Works Progress Administration's Federal Writers' Project. The project was part of a government-backed effort to put writers to work during hard times by setting them to the task of capturing everyday Americans' life stories, or parts thereof. Material from the project can be found in abundance at the Library of Congress web site in the American Life Histories: Manuscripts from the Federal Writers' Project, 1936 - 1940 section.

The story isn't exactly heart-warming - Edward O'Neil is downright irascible - but there is a certain poignancy to his memories, as there is to all of ours.

* * *

TITLE: Old Irish Mill Worker - Edward O'Neil

WRITER: Louise G. Bassett

ADDRESS: Brookfield, Massachusetts

DATE: November 8, 1938

SUBJECT: Living Lore

Edward O'Neil was born in Brookfield, Massachusetts, the son of Daniel O'Neil, an Irish immigrant and Sarah Pritchard, daughter of a foreign missionary. Daniel O'Neil a railroad worker and farmer was a hard bitten man with little education and a decided contempt for any on who had. Mrs. O'Neil was gentle and sweet, but completely terrified by her domineering husband. For years they lived in a small house in an isolated part of Brookfield. Edward O'Neil has always lived in Brookfield. When very young he refused to go to school and no one in the family made him. He has never done much work - odd jobs now and again, but has depended on his hardworking sisters to keep him. He scorns any part in the community affairs except to criticize - something he does well and often.

His only "special skills" are negative - a large and colorful vocabulary of cuss words and a flaming temper which he does not attempt to control. He is tall and rugged with keen blue eyes and a voice that can be heard all over town. He says he is eighty-three years old, in spite of the town records which list his birth as November, 1858. The town records are wrong, of course.


Topic: An Old Irishman tells about Christmas

Edward O'Neil, who lives on the old North Brookfield road, is one of Brookfield's oldest but most vigorous inhabitants. I met him the other day just as he was finishing a five mile walk, his hands full of bitter-sweet, lovelier than I have ever seen around here. "Oh, where did you get it," I exclaimed. "I won't tell you," he snapped at me," if I did - you'd tell some one else - then they'd tell someone and purtty soon every fool in town would be goin' there to get some an' there wouldn't be none left. I like it myself an' I'm goin' to keep it fer myself long's I kin. I'll give you a piece though, long's you want some so bad." He selected a long branch with care. "I'm saving this for Christmas" he added. "What was the first Christmas you actually remember?" I asked. In his faded eyes I saw a far off dreamy look. "The first Christmas I remember was when I was four years old. The reason I remember it was because my mother gave me a big lump of brown sugar with a few drops of peppermint on it. I nibbled at that sugar a little bit at a time all day long and I can taste that peppermint to this day. You see, we were sort of pioneer people and we didn't have much - nor not much to get anything with. Every winter in my early days was hard times. "The only other present my mother had to give that Christmas was a quarter of a dried orange peel and she give it to my sister to put in her bureau drawer to make her clothes smell sweet. My father didn't know much about Christmas. He'd been brought up by the Indians. His parents had been killed by redskins and he lived with the Indians until he was nearly twenty. My mother's parents were missionaries and of course she knew all about Christmas.

"I don't remember much about the Christmas's that came after that one when I got the lump of sugar with the peppermint on it, until I was twelve years old when my father gave me six boughten fish hooks. We made most of our fish hooks by forein' 'em ourselves before the fire. About that time my father got to flat boatin' down the river. Some time he'd be gone three or four months and when he came back he'd bring back things like store clothes and boots, and once he brought me a tie and then my mother'd hide 'em away and keep 'em and give 'em to us for Christmas. And from September 'till Christmas us kids'd have lots of fun huntin' around over the house and wonderin' what we was goin' to get.

"When I was fifteen my mother gave me a rifle of my own for Christmas. My father'd got it in Boston and this, with the exception of the one when I got the peppermint sugar, was my best Christmas.

"I was a grown man almost twenty-one before I ever saw a Christmas tree. A German family moved near us and they had a tree every year. They dipped the little candles themselves, colored 'em red with poke berry ink and fastened 'em on the trees some-how with wild turkey ribs. I never'd seen anything so purty in my life as those Christmas trees. We had to work awful hard in them days but we had our fun same as we do now. Well, if I don't run acrost you again, I wish you Merry Christmas." And away he went, being stopped at every half block by someone who wanted to know, "Where did you get that lovely bitter sweet?"

But he only snapped "I won't tell you."

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As always, thanks for stopping by and take care.


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Sunday, March 16, 2008

The Federal Writers' Project: Sammy Spring, Otis, Massachusetts

A recent article in the New York Times 'Escapes' section (In the Berkshires, Turning Back the Clock, March 7, 2008) featuring Otis, Massachusetts as a great place for second home-buyers to find "country quiet year round" can't help but set one to wondering how long that country quiet may last once the cat's out of the bag. Not that cats in bags are quiet.

By the way, cats aren't allowed in movie theaters, even if the movie is Lion King.

While hunting around the Library of Congress's web site looking for maple-sugaring photographs from Western Massachusetts, I stumbled across this 1939 Works Progress Administration (WPA) commissioned interview with irascible 56 year-old Otis resident Sammy Spring. The WPA hired unemployed writers as part of the Federal Writers' Project to put them to work recording the life histories of anytown Americans as the nation tried to pull itself out of the dark depths of the Great Depression. In the interview, Sammy uses some hurtful terminology to describe a local African-American, I've substituted asterisks. Other than that corrections are minor and few and the account is lively and humorous.

Timely enough, Sammy describes that old Western Massachusetts favorite, sugar on snow, which, if you haven't tried it yet, is something that you should. Sap is running, sugar's a'simmering: Find a shack and indulge...

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American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940

A Berkshire Borner Sammy Spring - Dirt Farmer and Old Time Fiddler

STATE: Massachusetts

NAME OF WORKER: Edward Welch

ADDRESS: Pittsfield, Massachusetts

DATE: January 17, 1939

SUBJECT: Living Lore

NAME OF INFORMANT: Sammy Spring

ADDRESS: Otis, Massachusetts


Sammy Spring, dirt farmer and old time fiddler is fifty-six years old, a slim little man, not much over five feet tall, grey haired and grey eyed. Around his Otis farm, Sammy is unassuming and unpretentious - on the podium of a dance hall he is king of all he surveys. Folks dancing to his music must dance correctly. Let the uninitiated set fail to follow his calls and Sammy is down on the dance floor. Tapping the erring couples with his fiddle bow, he suggests they watch a more experienced set and listen carefully to his instructions as he calls out the intricacies of each number. No matter how many or how few dances, the program calls for, Sammy decides on a certain number of rounds and square sets for an evenings entertainment and plays and calls them, ignoring the program completely.

Sammy is of pure Yankee stock. His ancestors fought in the Revolution and settled in the nearby town of Sandisfield where the family always lived until Sammy came north a few miles, to Otis to live. Sammy's forefathers were as Sammy says, "dirt farmers like me." Sammy's work day garb consists of a well washed and well patched pair of blue denim overalls, a grey flannel shirt, old grey faded suit coat, large (brogans?) and an oversize battered cap, that sets loosely on his grey head. bending his ears forward so as to give him a elfish look.

Sammy Spring was in the little wooden shack workshop at the rear of his Otis home, "fixing" his patient wife's washing machine. Being well acquainted with the temper of our Berkshire Yankees, we discussed washing machines in general, and the Spring washing machine in particular, for some time before we introduced the subject of fiddling and launched a question.

"So you want to know how I came to take up fiddlin". Well of course, I started in as a lad going to kitchin dances. In those days a fiddler was considered to be, or at least to me seemed to be, an important man, and there were several pretty good ones in this part of the country -- a Heath feller from Monterey, an Irishman from Becket and a **** from over Tyringham way. Of course I was too young to do much dancing, but not too young to like the way these fellers fiddled and called. I used to go to the dances with my folks when I was a kid and I'd sit and listen to the fiddlers callin "out the sets all evenin'. When I got the most of them down good I bought a fiddle from the **** from Tyringham with some money I earned and started in to learn for myself. I took a couple of lessons from Heath over in Monterey and after awhile got so I could play pretty good.

"It wasn't long before I was playing for dances -- mebbe a couple of years or so. Of course, I got most of the work in Sandisfield and Otis. I got so good that some of the other fellers got kinda jealous. Some one of them sent me a letter telling me I'd better quit or there'd be some trouble; but I kept right on and nothin' ever come of it.

"Well, about then I married Ella May and a few years later my first baby came along; Martin Van Buren, named after my father. We had an old organ at the house and when he was only a little tyke Martin learned to play chords on it. When he was old enough, I'd take him on the handle bars of my bicycle to the dances and have him play for me. Soon after, we began to get jobs over in Tolland and down Colebrook way. Then Bill Hall from over in Tolland joined up with us. Bill played banjo. The three of us ran dances in the Otis Town Hall. We didn't make much at first, but we had a whale of a lot of fun.

"You know in those old days," specially over at the East Otis Tavern, we used to play for chicken pie suppers. That is, it was a combination affair, that cost a dollar apiece, fifty cents for the supper and fifty cents for the dance. Well at those suppers you could have all you wanted to eat. Course, chicken pie was the main dish, but that wasn't all. They would have home-made pies and cakes, home-made butter, pickles, cheese, cookies, well jest about every kind of home-made food you could imagine. Tea, coffee and home-made doughnuts, but no hard stuff. These dances used to last all night long. We even played at one that ran three nights in a row. Those used to be darn good times. No rough stuff nor anything wrong either. Whole families would attend, out for a good time and they sure had it.

"That's what I call living. Folks don't know how to live today. They won't go out like they used to, 'cept to go to the movies, most of 'em, or stay at home and listen to the radio. Those old chicken pie suppers and things like that used to make them more neighborly. It's too bad. When you look at the way folks used to live and see how they git along today. They ain't no more of that ole spirit of corporation. Just dog eat dog today.

"Well back about '29 I got a job for my orchestry playing in the Bloomfield Grange. Our program was broadcast over Station WTIC Hartford. I had Bill Hall on the banjo, Martin an pianer, a feller from Winsted on the drums and young Elwin Tacy, an Otis boys, as singer, then. Well for awhile we went great guns. Got bids to play all over Connecticut, Eastern New York, and down in the east part of the state. Guess this broadcasting was 'sponsible for me gitting the job at Stowe Village at the Eastern State Exposition in Springfield.

"You know we were one of the featured attractions at the fair; playing there night and day the full week. You'd be s'prised the number of friends we make down there. Why I git so many bids now I can't take care of them all. We've played at some high and mighty places too; let me tell you.

"Couple years ago we went down to the County Fair Carnival down at that rich Yacht Club in Madison, Conn. Now those folks didn't want to dance right at all. They asked to come down jest to make a monkey of us small town folks. I wasn't ask to play until about eleven o'clock.

By that time they all were pretty much liquored up. Couldn't dance right if they wanted to. Well I tried to get them going right, but I guess they had too much to drink and they felt kinda coltish. So I warned then once fer all. Told them if they wa'n't going to dance the proper way I would pack up and go home. Well they didn't lissen to reasons so I told them all what I thought of them, and got out. Ain't no sense a-foolin' round with folks like that. Nobody is a goin' to monkey like that with me. If they want to dance the sets proper I'll play all night. But if they want to monkey-shine around they'd better git an organ-grinder. My o'chestry ain't no monkeys fer anybody I don't care how high and mighty they be....

"They was a time I was playing down in Connecticut pretty regular one night a week. The manager of the place got some high falutin' notions in his head. Wouldn't let the folks dance unless they wore a coat. Well, business began to drop off. Mind you most of these folks that went to this place were people that followed me wherever I played publicly. They'd come to me and tell me if they couldn't dance with their coats off they wouldn't come any more. Well I went to the manager and tried to tell him in a nice way but he wouldn't listen to me. Well I didn't say nothin more to him but got right back up on the platform and told them folks to go ahead and take off their coats and if anyone said they couldn't dance that way, I would pack up and git home.

"Well I guess that fixed things once and fer all. Now what harm is they to dancing with your coat off. They's more crime committed by men wearing coats than there is by men with coats off, I reckon. You take on a warm summer night and dance a couple of sets with your coat on and you get pretty well warmed up. Well, if you want to go outside and cool off you're bound to ketch a cold. On the other hand if you take your coat off and dance awhile and want to cool off, you can go outside and put your coat on and you won't ketch cold.

"Reminds me of the time that the state trooper came into the dance hall up in Otis Center. The folks were dancin' without coats and these cops came in and told everyone they either put on their coats or they would be no dancin'. Well that got me riled. I told off those cops and don't you fergit it. And they got out too. Nobody's goin' to tell me how to run my dances. I run them and they ain't nobody runnin' Sammy Spring.

"I've played fer some of the nicest folks in the country. We went over to Mrs. Anne Hyde Choates over in Springfield, New York once and played fer the best of New York's s'ciety, real 'ristcorats. We were treated like the rest of the guests. Had butlers and maids waitin' on us hand and foot. They even invited us to stay at their house all night. Now them is real folks, ain't they?

"Most every year I go down to Bostin to play at the Girl Scouts Convention at Hotel Statler. Mrs. Franklin D. Roosevelt has been there several times. She's a real nice person, friendly and real neighborly. Nothin high and mighty about her. So long as these Roosevelts stay in the White House, I guess the country is safe enough and in the hands of the right kind of folks.

" 'Bout once a week now I go down to the Westchester County Work Shop to play. We all have a real good time down there, too. These folks are right smart interested in real old time square dancing. I don't think they're making much money; but we always get paid. And it won't be long before we'll be crowdin' them in because they's a lot of newcomers every night we go down.

"You know I've played at the Dance-Internationale at the Rainbow Room at Rockefeller Center in New York. That was an affair where folks from all nations put on their native dances. Jest Martin and me played at that one and I guess we kind of stole the show. We played at the Hotel Pennsylvania the same time and made a hit there.

"Now at places like that we find the folks are really interested in the old-fashioned square dance. They don't monkey around like the folks did at that Yacht Club. They do as I tell them, and dance right.

"I honestly think that old time dancing is coming back. For instance there are several groups that are learning these square sets. Take in Springfield for instance. They have a group of youngsters down there, Girl Scouts that can do all the squares like real old timers. We went down there just once and took a set from Otis to show them how to dance and they caught right on to it. You know they's some sense to square dancin'. Why I rather see younguns dance that way then to try to do that crazy jitterbug stuff. Ain't no sense to it at all. Jumpin round like crazy loons or monkeys trying to climb a tree, that ain't dancin'. They aint no sense to it.

"Well, I guess I'd better be gittin this washing machine fixed up, or Ella May will be wantin' to know what's holdin' me up. It took a lot of head work to figger this machine out. Oh I don't mean me. I mean the feller that made this up.

"I see fiddling hasn't prevented you from being mechanically-minded, Sammy".

"Good land, you don't think I'm just a fiddler, do you. That's only my side-line. I'm really a plain dirt farmer and an old-time saw mill man. Up to the last few years I used to do farming on a big scale, that is big for this part of the country. Then when the sawmills began to do a good business I got a job with one outfit as a fireman and later became an engineer. Course I worked at saw mills off and an all my life. My father had one and I worked with him as a boy so I know a leetle about it.

"It was when the World War came along that the sawmills really got revived here in Otis. Why school boys used to earn thirty-five dollars a week during vacation time on the mills. They worked as swapers, markers and did about everything but the actual sawing. That was a man's job.

"There are still some mighty good sawyers still in town. Take Frank Werden for instance, and then there's Amos Witter. Two of the best sawyers in the country. They know the game from A to Izzard.

"Otis was a prosperous town in war days. The young lads were dressed as well as any city chap too. Why they used to think that young Ruben Cowell over in East Otis was a regular dude. He owned more silk shirts and suits than anyone. Spent all his earnings on clothes. Most all the boys owned cars and used to drive around the county like [helions?]. People had so much money they didn't know enough to put some in the banks. Mebbe it's just as well.

"I don't do as much farmin' as I used to. I've only five cows seventeen pigs and of course I raise enough vegetables for the family. I also got a fine sugar bush.

"A sugar bush!"

"Didn't you never hear what a sugar bush is?" Well it's a nice stand of sugar maples. When the sap begins to run in the early spring we go out and tap the trees and take the sap to boil down to syrup and sugar. Most everybody in this part of the country owns their own sugar house.

"Did you ever go to a sugar eat? Well now, that's too bad. You certainly missed something. Well we usually hold the sugar eat at the church. We take enough sap that's just about right to make wax. The wax is a sort of gummy stuff that rises to the top when you're boilin' sugar. That is just before it hardens into the sugar. Folks get a plate full of snow and then the wax is ladled out of the bi'lers on to the snow and when it hardens a might, you eat it.

"Sure you might get sugar sick, but 'twon't hurt you none. You might feel bad for a day or two, but 'twon't kill you. Never heard of anyone dying from it. Better get back to this machine.

"All your jobs must keep you pretty busy, Sammy."

"We-ll, they do and they don't. I got them figgered out so they ain't so bad. I always worked on my farm during the daytime and fiddled at night. The days I worked in the sawmills, I worked from five o'clock in the morning 'til dusk at night. Then I'd go home, wash up, have my supper, milk ten or twelve cows, feed the stock, fill up the wood box and take Martin on the handle bars of my bicycle and ride off to a kitchen dance to play until about four in the morning. Course that wouldn't be every night in the week. But 'twould be two or three nights a week. Folks used to be pretty much put out when I wouldn't get to these affairs until about ten o'clock. But once I got to fiddlin' and a-callin' they'd soon forget all about it.

"I've worked hard, played hard and had a darned good time in my life. I ain't made much money and I'm still a young man -- goin' on fifty-six. I like to see folks a dancin' the old square sets. Something wholesome about it. You know you tell a lot about folks watchin' them dance. Folks that like to dance the good old dances you'll find are pretty apt to be reliable. I hate like the dickens to see those nice youngsters of today trying to ape monkeys. It jest don't seem right somehow. Here is how I figger it all out. You'll always find real folk a'doing the real things worthwhile, and the artificial folks takin' to artificial things and that's all there is to that".

The quick tones of Ella May inquiring as to the state of the washing machine ended our conversation for the day.


More stories from the Federal Writers' Project on EWM.

Source: Library of Congress, American Memory Collection, American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940, A Berkshire Fiddler and Dirt Farmer

List of Sugar Houses, Courtesy of the Mass. Maple Producers Association: http://www.massmaple.org/members_frames.html




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Saturday, December 15, 2007

The Federal Writers' Project: Ms. Cora Lovell, Hinsdale, Massachusetts

While looking for old photos of Northampton for last Saturday's post, I came across this lively and interesting interview of Hinsdale Town Clerk, Cora Lovell, entered on January 4, 1939, as part of the Works Progress Administration's (WPA) Federal Writers' Project. Recorded by writer and Peru, Mass., resident Rosalie Smith, this snippet of life in the Berkshires just prior to World War II captures a time in America when innocence and ignorance were sometimes inseparable facets of perception. A sure sign of the times is the easy use of the terms, "negro" or "negroes," which appear embarrassingly frequently in Lovell's recollections. The words, of course, remain, for one in the nonce can alter the past with no more success than they can accurately predict the future.

Indeed, no faction is spared Lovell's easy revelations, her eager exuberance to share her story a path of exposure for those whose lives intertwined with hers. I imagine if one wanted to find out the latest in the town of Hinsdale in 1939, Cora Lovell would be the person to see. As long as you didn't tell her anything you wouldn't want your neighbors to know.

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American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940

STATE: Massachusetts

NAME OF WORKER: Rosalie Smith

ADDRESS: Peru, Massachusetts

DATE: January 4, 1939

SUBJECT: Living Lore

NAME OF INFORMANT: Mrs. Cora Lovell

ADDRESS: Hinsdale, Massachusetts

The following interview took place in Mrs Cora Lovell's neat cottage in Hinsdale Center. Mrs Lovell's duties as Town Clerk, Justice of the Peace, newspaper reporter town Librarian combined with her hobbies -- cooking, golfing, fancy work and visiting, keep this sixty-seven year old lady busy. It is never easy to get a chance to talk with her -- she's on the move all day. [We?] were fortunate in catching her at home and undisturbed by official cares.

Mrs Lovell's house is as neat and tidy as the proverbial pin. There is a comfortable combination of old-fashioned furniture and modern decorations that give the rooms charm, and a certain distinction. But the neat rooms are only a setting for as dynamic and "peppy" elderly lady as is to be found anywhere.

* * *

In every small moribund town there are a few outstanding individuals who, it seems, would never become victims of depressions and decadence. Like strong, hardy plants that grow in rocky, barren soil, these people manage to prosper in towns that offer few opportunities. Such a person is Mrs. Cora Lovell of Hinsdale, town clerk, justice of the peace, marrying justice, librarian, news reporter, society woman (she mingles with wealthy summer residents and the four hundred of Hinsdale), ardent golfer (a charter member of the Hinsdale Country Club), excellent card player and member of the American Missionary Society.

About twenty-five years ago, after her husband's death, Mrs. Lovell, New York born and a former school teacher, found herself thrown on her own resources. She ran a boarding house, she "took in" sewing, she substituted as school teacher "It was rather difficult at first," she said, "teaching all eight grades. I wasn't trained for it. I had only one grade in New York." She sat on delinquent taxpayer's doorsteps on pay night to collect meager sums, and made the startling record of collecting every penny of town taxes during her two years of office; she climbed the lonely slopes of Warner Mountain at two o'clock in the morning in hopes of getting a newspaper scoop and in 1920 she took the Hinsdale census on foot. She is the feminine analogy of the small town "Jack-of-all-trades".

Mrs. Lovell is sixty-seven years old. Last year she went to Europe. "I climbed Gibraltar without any trouble," she said, "Do you know why? The Hinsdale Golf Course. Gibraltar would never faze anyone who had played on the Hinsdale course."

Mrs. Lovell was born on Staten Island, New York but when she was eight years old her family moved to New York city. She was graduated from Hunter College, then taught school until she was twenty-seven years old, when she married. She and her husband traveled widely in the United States, both were disciples of Isaac Walton. "I've kept house in Florida, California, Maine, New York and Massachusetts," she said, "and I've fished in the Pacific Ocean, the St. John River, and the Rangely Lakes in Maine."

After her husband's health failed they moved to Hinsdale, where they bought a farm. Mrs. Lovell became a farmerette, making butter and helping with the heavy outdoor work. "My husband had a theory that if we raised all of our grain instead of buying it, we would be able to make money," she said, "of course, we had to have help in some of the busy seasons, but we both almost worked ourselves to death. I didn't mind it, because I was young and strong and I liked farm work, but my husband wasn't very well.

"We had horses for the first time in our lives, and we enjoyed them so much. We had bicycles that we brought with us from New York, but it wasn't much fun riding them on these bumpy roads.

"We stayed on the big farm for about two years and then we came to the conclusion that we had bitten off more than we could chew, so we bought a smaller one, but we had to sell that after a while. Then, because of my husband's health, we spent five or six winters in the South, but kept a house in Hinsdale for the summer," continued Mrs. Lovell.

Although Mrs. Lovell lives alone she doesn't resort to the slack housekeeping methods, characteristic of many country one-person-homes. Her house is always neat, and she frequently mentions trying out new recipes, merely for her own gustatory satisfaction.

She is a firm believer in accuracy -- her news can usually be relied upon; and she keeps well posted on the bundles and bundles of State laws, relating to the town clerkship. Slackness on the part of other town officials irritates her extremely.

Despite her sixty-seven years, Mrs. Lovell never gives one the impression of being an "elderly" or an "old lady"; she is seldom referred to as such. Her energy, her ambition, her vitality, her activities, and her plump look of health belie her age. She has a hearty, vigorous personality that reflects courage, and aplomb. An indefatigable conversationalist, she can talk rapidly and constantly for hours. You notice a slight New York accent in such words as firm (foim), heard (hoid), et cetera. When the vulgar might swear she exclaims "Mercy me" ("Moicey me"); and when she becomes excited she frequently addresses her listeners with a "My dear." You can't fully appreciate her stories second hand; you have to talk with her yourself -- listen to her forceful emphasis on certain words -- watch her inimitable facial expressions -- and if you've never actually seen a person "double up with laughter" you should see Mes. Lovell, with hearty girlish laughter, or a loud guffaw, throw her hands up over her face, wrinkle up her nose, bend forward, raise her feet slightly in the air, and rock back and forth.

Mrs. Lovell was the first woman town clerk in Massachusetts, she was one of the first women tax collectors (served in 1922 and 1923) and she is one of the few women marrying justices in the state. It might be inferred from these and her various other occupations that she is a typical career woman or another Susan B. Anthony, trying to establish women's rights, but apparently not, for she said, "I didn't look for any of the work. It all came to me. Some of it was just forced upon me. I was perfectly content to let the men take care of the town affairs. After my husband died I was sewing for other people, substituting in the schools, taking in boarders and doing just about anything I could to make a living, you know. Augustus Frissell (Hinsdale merchant) was town clerk at that time; and he said it was dreadfully hard for him to take care of the work. Sometimes he would have five or six customers waiting in his store, and someone would come in and ask for a fishing license, or a hunting license, or a marriage license, or want something looked up in the town records. So he asked me if I would take it over. I told him I didn't know a thing about the town clerk's work, but he said, 'You can learn. Just hang around me at town meetings, I'll show you all I can.'

"Well, my sakes at the next town meeting both the Democrats and Republicans nominated me for town clerk. I was elected and became the first woman town clerk in Massachusetts. That was in 1921 and I've been elected every year since. Only once did I have any opposition - Mercy, I don't blame my opponents at all for trying to beat me that year.."

The story of the opposition is one of those small town political "inside tales" which seldom appear in print. A Democrat had been elected to the school committee but he was called to another town before the expiration of his term. The Republicans who were in the majority that year, appointed a Republican to fill the vacancy. "It wasn't a fair thing to do," says Mrs. Lovell, "it was outrageous. A Democrat had been elected and a Democrat should have been appointed to fill the vacancy. I don't blame them for being mad. Of course, I didn't have anything to do with the appointment, but the Democrats vowed they would put every Republican out of office at the next election. The woman who opposed me was very well liked; and I thought I didn't have a chance. I even collected my books and papers together and tied some of them up with string; but when the votes were counted I won by a large majority. That was the first and only time I have ever had any opposition.

"I didn't ask for the job as librarian either," continues Mrs. Lovell, who by now was getting warmed up, "One night the librarian who had been here for years and years, went crazy. He tore his hair and tore the skin off his face something awful, and went screaming through the streets. The end of it was he had to be taken to the Northampton Insane Asylum. They didn't know what to do for a librarian. Some of the trustees came and asked me if I would take the job. I told them I didn't know a thing about a library, although I did know quite a little about books. They said they needed someone right away and asked me if I wouldn't try it for a while. Well I said I'd come in for a while to help out - and I've been librarian ever since. That was in 1917."

Mrs. Lovell recalls her experiences as the first woman town clerk of Massachusetts, not as a series of multifarious, uninteresting duties, but rather as a new experience, from which she derived as much pleasure and amusement, as she did hard work. "After I was first elected," she says with a wide grin, "almost every letter I received was addressed 'dear Sir'. I didn't think so much of this because I knew I was the only woman clerk, but one day I received a letter from a certain firm, asking me to suggest the names of men in the town who might make good salesmen for their products. 'If you will do this for us', the letter read, 'we will give you your choice of a safety razor or a sweet briar pipe'." Mrs. Lovell "doubles up with laughter" her feet flung up, her shoulders down until you might think she was about to take a somersault.

"I remember one time Judge Warner came out to my house to look up something in the town record books. I don't remember now just what he was looking for, but it was something way back in 1850 or 1860. He was terribly pleased that he found it and he said, 'mrs. Lovell you have kept these records beautifully.' The record had been recorded long before I was born but I didn't say anything."

I asked Mrs. Lovell how she happened to become a marrying justice. "Well, after I was elected town clerk," she said, "I thought it would be a good thing to have a justice of the peace in the town, because there were so many papers to be sworn to, you know; and we always had to go out of town for it. I suggested that one of the town officers become a justice of the peace; and some of them thought I should be the one, so in 1922 I became a justice of peace. The combination of town clerk and J. P. gives you the power of a marrying justice you know. I've been told that years ago there were a good many of them in Berkshire County, but for some reason or another there's only two left. It keeps us kind of busy. During 1938 I performed twenty marriage ceremonies.

"The first time I was ever asked to marry anyone, was a few years ago. You remember old Mr. Micheals, who lived in the South part of Hinsdale, don't you? Well, he inserted an advertisement for a housekeeper in some newspaper, and a girl from New York answered. She was a German girl -- handsome and very well dressed, but you only had to look at her once to know what kind of a girl she was. After she had been there about two weeks she and Mr. Michaels came to me and said they wanted to get married. He was Catholic and really preferred to be married in the Catholic Church, but the girl insisted upon having a civil marriage. She said that in Germany a civil marriage was the most binding. At last they decided to be married by me on Sunday afternoon and at the Catholic Church Monday morning. I tried to convince her that a church marriage was the very best thing we had in this country; and I told her that if they were married by me I would have to take the license and they wouldn't have any license to give to the priest. But she insisted on having me marry them. Sunday afternoon Bill Dornety came over with his camera and hid behind the door. He wanted to get a picture of me performing my first marriage ceremony. Just as the couple got here the priest called up and asked me if they were going to be married here. I told him 'Yes' and I told him that I had tried to convince the girl that the church was the best place in this country to be married. I talked and I talked and I talked to the girl and finally I persuaded her to wait and be married in the church the next morning - so I was cheated out of the first ceremony I expected to perform. She turned out to be Just the kind of a girl everyone thought she was. After the wedding she took his gun and wouldn't let him near her. He had quite a little money, and somehow she got hold of that and went to Germany on her honeymoon - "Well, that wasn't the end of her and her old chump. About a year after their marriage the telephone operator called me one day and told me I'd better hustle right over to their farm. There'd been telephone calls for help, doctors, the state police etc. Mr. Michaels had hung himself in the barn. The constable and I searched the house from top to toe, trying to find her. Later they found she'd gone off to the city.

"The first time I ever did perform a marriage ceremony, the telephone rang, and a man's voice said, 'Can you marry people?' 'Have you the proper license?' I asked. 'We got our license in Pittsfield', the voice said. I was all excited. I straightened up the house and hunted around until I found a prayer book, with a marriage service in it. I crossed out the prayers, because I thought mebbe if they wanted to be married later I heard a car drive in the yard and I went to the window. Glory Be - they were blacker than ink. Five black ones. The bride was one of the blackest negroes I ever saw and she had on a white chiffon hat. The best man said, 'don't you know me, Mrs. Lovell? I used to live in Hinsdale?' I found out later that he was one of the L--- boys. So the first couple I ever married were negroes, blacker than coal.

"Last summer I was asleep on the sun porch for some cousins of mine were sleeping in my bedroom, when I heard the awfullest pounding on the door. It was about twelve o'clock at night, and I thought it must be some drunks. They pounded as if they were perfectly mad. Then a woman called 'Mrs. Lovell'. By that time my cousins woke up and one of them came downstairs and said, 'Cora, don't you hear that pounding?' 'I'd be dead if I didn't', I said. The people outside heard us talking so I had to go speak to them. I was pretty cross to be awakened at that time of night, and I said, 'What do you people want?'. 'We're from up on top of Washington Mountain,'the voice said, 'We've been living together ever since my husband died, but some of the folks over there doesn't seem to like it. They made a lota fuss about it, and we had to go out to court in Pittsfield today and they told us out there that we had to get married right away. We thought we'd celebrate a little so we had supper after we got through at that court, and then we went to a movie, but we thought maybe we'd better come and get married right away, because they told us to and we're afraid the people in Washington won't like it if we don't.' They were negroes, too. The prospective groom had been the best man at the first wedding I performed. I told them they would have to go back to Washington and get a license and then wait five days. They didn't want to. They kept saying that the man at court told them to get married at once but I finally got rid of them. The next Thursday night they came here to be married, but I wasn't home, so they went to a minister. Can't say I was sorry.

"I've never seen,such queer people as some of those who come to get married. Another time I heard someone rapping on the door. I went out and there stood a tiny crippled man with two crutches. He told me that he wanted to get married, and pointed to the car, where his bride sat. He spoke to her and she got out of the car. She was an enormous woman, absolutely enormous. Some of the other men in the party were crippled too, but the groom couldn't get up the steps alone. The bride and another man hoisted him up and when they left they had to lift him down. When they were leaving one of the crippled men said to me, 'We're relics of the war'. The groom had given his age as thirty-three, so I wondered what war they could mean. I stood there in the doorway and said, 'War, war, what war?'. He winked and said, 'the Civil War'.

"Then there was a high school teacher and a girl who said she was a craftsman whatever that may be, from one of the Jewish summer camps on the lake, who asked me if they could come here and get married at ten o'clock at night. I guess they brought the whole camp with them. I never saw such a gang. I guess they'd been celebrating before they got here for most of them were -- well, I guess you'd say, lit up. There wasn't a chair left in the living room - some of them sat two on one chair. I didn't know what my furniture would look like when they got through. I asked the couple who were getting married if they would please stand, but the girl said, 'I'm not going to stand. I've been working all day and I'm tired and I'm not going to stand.' Then the groom said, 'Well, if you're not going to stand then I'm not either.' That was the only sit down wedding I ever had. They both sat there smoking cigarettes while I read the ceremony.

"Sometimes," continued Mrs. Lovell, settling back in her roomy chair, "people come to get married and don't bring any witnesses, but I can usually get some of the neighbors to oblige. A short time ago this happened, so I called up Mr. and Mrs. Brown and they came over. While I was reading the ceremony the bride kept wiggling and squirming and jumping around. I couldn't make out what on earth was the matter with the girl. I thought perhaps she had Saint Vitus dance or something. I gave them their certificate, and after they went Mr. Brown said to me, 'do you know what was the matter with the bride? The groom was pinching her all the time they were being married.' Can you imagine!

"Another time a divorced woman, who was only twenty-two years old came to get married. After the ceremony, instead of waiting for her husband to kiss her, she made a dash for him, then for the two other men in the party. Moicy me, she descended on those men like a mountain of brick. I've never seen anyone go at the men the way that girl did. Good Heavens! I don't know what ails some folks.

"One night a couple from Lanesboro came to me and said they wanted to get married but they didn't have a license because the man's divorce wasn't final. I told them I was sorry but I couldn't marry them. They'd have to get a license first. 'But why won't they let us get married?' the woman insisted, 'If people only understood I think they would.' 'I guess people understand all right,' I said, kinda sharp, 'but you ought to have thought of that long ago.'

"One December a couple came to get married and as they were leaving the bride said, 'We wouldn't have known anything about you, Mrs. Lovell, only my girl friend told us about you.' (and she mentioned the name) 'You married them last November and you ought to see what a nice little boy they have now.' Yes, I told her I remembered her girl friend all right. I was afraid I would have to turn my house into a maternity ward.

"Land sakes, I mustn't talk on like this. You'll be thinking all my marriages are terrible. They aren't at all. I've had some real nice ones - the brides dressed up real pretty and the grooms nervous and all-a-flutter. Moicy. I must admit I like being town clerk. Its not near as much work as when I was Tax Collector and it's more interesting. I served as Tax Collector for two years - 1922 and 1923 - you know and what a time I had.

"Both years I collected every cent of taxes in the town. Of course, it was easier in those days than it would be now. Everyone was working, but people didn't know how to save. They spent every cent they earned. But I found out when pay day was at the mill, or wherever they worked and they I'd go to their house that day. Sometimes I went a few minutes before I thought they would be home and sat on their doorsteps, so they wouldn't have a chance to spend-all of their money before I got some of it. It may not have been lawful but I did it just the same. On the back of some tax bills I'd have several columns of figures, because often all I could get would be a dollar, or a dollar and a half. Of course, now that I've been in politics so long I would know better than I did then, but after I was first elected I thought I had to reform everyone else; and if they couldn't save, I thought I had a right to try to save for them. No collector since has ever collected every cent. Of course, they don't have the time that I did. Most of them have other jobs and can just work on the tax collecting at night or in spare moments. They can't go around sitting on people's doorsteps, waiting for them to come home as I did. It was queer too, I didn't have any trouble collecting taxes from the summer residents although today the summer residents are the worst backsliders in town. I wrote nice letters to all of them, and every one responded with a check. At the end of the first year people thought I was too thorough. Guess I pested folks too much. I was opposed at the next election, but I was elected. The next year I was opposed again, and that time I was defeated by seven votes. Now almost every year both Democrats and Republicans come to me before election and ask me if I won't run for tax collector. There are thousands of dollars outstanding, but I don't want the job.

"The worst experience I ever had was when I was Tax Collector. It was right after I was elected. The assessors gave me a commitment book, but no warrant. Of course, it's illegal to collect without a warrant; and according to the laws then there was some terrible fine or imprisonment -- I can't remember just what it was-imposed upon anyone who did collect without a warrant, so I didn't dare. I kept after those assessors and kept asking and asking them for a warrant, but they kept putting me off. They said I didn't need it, none of the other collectors had ever bothered about it. I went to the former tax collector but he told me he never bothered about a warrant, he said it wouldn't do me any good to have it anyway because the assessors kept making so many mistakes they'd have to keep changing the warrant. Then the selectmen got after me. They said I'd have to start collecting, because the town needed the money badly, and people who wanted to pay their taxes began to complain that I wouldn't take their money. I didn't know what to do, so I wrote to Boston. I told them the selectmen were pressing me, but that I just couldn't get a warrant from the assessors. In a few days an investigation was started. It was held in the town hall, and I got up and told the men from Boston that our assessors didn't do a thing but draw their salary. After the meeting the investigators said they wanted to see the assessors alone. A few days later I got the warrant. That was an awful embarrassing time but I couldn't help it."

Knowing that Mrs. Lovell had had an experience or two while acting as local reporter for the Springfield Republican I tried to shift the conversation into that channel.

"Well, most of my work for the Republican is just ordinary stuff but I did have one experience a year or so ago that was kinda exciting.

"One night about two o'clock the phone rang. Someone from the Republican in Springfield was calling and wanted to know if I had heard anything about an airplane falling on Warner Hill. I told them 'No' I hadn't heard anything about it, but they said they had the rumor and they would like to have me verify it if possible.

There is only one house -- occupied by negroes -- in the near vicinity of Warner Hill. The road beyond that house is impassable by car). I put a coat on over my nightgown and started out. I had an old Ford at that time so I drove up as far as Mrs. Washington's. (the negro family mother). I thought I would stop there and see if she had heard anything about the airplane. I pounded and pounded on the door, but no one answered. Finally I went around to one of the bedroom windows and roused Mrs. Washington, but she hadn't heard anything that sounded like an airplane. I left the car and walked all around the hill. I coo-hooed every few minutes, hoping that if an airplane had dropped some of the survivors might answer, but no one did. After I had searched for about an hour I went home and called the Republican. The next day I discovered that it was nothing but a motor boat on Plunkett Lake, which someone had mistaken for an airplane and me trotting all over Warner Hill in the middle of the night in my nightgown. Can you imagine."

Mrs. Lovell was warmed up and going, strong. Her multitudinous cares were laid aside for the time being, and the afternoon was still young. Just about then as Mrs. Lovell expressed it, "Business came rapping at the door" in the form of a town official who wanted a record checked. He lingered asking for more information so we departed, not however before Mrs. Lovell had commanded. "Come back again soon and bring your mother. Always glad to see you. Tell your mother I got a new pattern for those aprons I was telling her about." With a smart shake of her head and hand she bustled back to her official duties.


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(Above photo: Hinsdale Public Library, Built 1866)



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Saturday, December 1, 2007

The Federal Writer's Project: Johann Schiller, New Marlborough, Massachusetts

I can get lost in the American Memory Collection section of the Library of Congress's web site for hours, tapping random key words into the search box and seeing where they bring me. This "Living Lore" story from the Works Progress Administration's (WPA) Federal Writer's Project - undertaken from 1936 through 1940 as a way to set some fairly average American folks' experiences from pen to paper - is a gem uncovered in that fashion.

In this glimpse of an afternoon visit in the autumn of 1938 with New Marlborough resident Johann Schiller, well-recounted by WPA writer Wade Van Dore, no-nonsense Yankee spirit is quite evident (despite Mr. Schiller's early years in New York) and indeed stands of a certain charm. Folks from outside our area may consider standoffish Mr. Schiller and his to-the-point banter someone to avoid socially, New Englanders nod their heads in agreement with him. He's someone we could yak over the fence with.

* * *

American Life Histories: Manuscripts from the Federal Writers' Project, 1936-1940

STATE Massachusetts

NAME OF WORKER Wade Van Dore

ADDRESS New Marlborough, Massachusetts

DATE January 6, 1939

SUBJECT Living Lore

NAME AND ADDRESS OF INFORMANT Johann Schiller

New Marlborough, Massachusetts

Mr. Schiller, of German descent, is about 75 years of age. He is a tall, distinguished looking, vigorous man, still capable of performing a full day's hard physical labor. There is almost a military straightness and trimness in his mein. His white hair is cut short; his complexion is as clear as a schoolboy's. He spent his early years in New York City but now lives with an elderly Yankee farmer on an isolated farm in western Massachusetts, two miles from the nearest neighbor. These two men are almost completely self-sufficient; they do all their own work and raise most of their food. Modernity has scarcely touched them. Their house has not a single modern convenience; they do not own a car. The farm now appears like a high oasis of pasture and hayfield in a desert of woods and brush. Almost every day half-tame deer come to feed on the grass in the fields. Days sometimes pass before a vehicle goes by on the gravel road in front of the house. It is a country of hawks, owls, foxes, and rabbits. "The house and farm buildings are unpainted, and in the summer their weather-worn boards appear almost black in the heavy shade of old maple trees. There is no litter about. Farming tools, wood-piles, pails and other necessaries are always seen in their given places. These men are as regular in their habits as the seasons which they know so well.

* * *


"And how are you today?" asked Mr. Schiller as I walked into his garden where he was picking ripe pole beans from a long straight row of poles. It was about three o'clock on a beautiful October afternoon. The atmosphere was mellow as a ripe pumpkin. No breath of wind stirred a ripe leaf or a blade of grass.

"I've got what might be called autumn-fever. Don't you think that this is about the finest October we've had for years? It's hard to stay inside on days like this."

"Yes - isn't it fine; but we deserve it after all the bad weather we had last summer. My garden wasn't half as good as usual. There was much too much rain. Spoiled my cucumbers, squash, onions, half my potatoes - and look at those carrots over there! they seem to have a new disease of some kind. See how rusty the leaves are? I've never seen carrots behave like that before."

"They do look rather stricken, don't they?" I agreed. "But it looks like you've had a much better garden that most folks. Being up on this hill, at least your stuff wasn't covered by water the way mine was. Many of my squash were floating like toy boats more than once last summer, and only a few of them were fit to eat. I doubt I picked a dozen good cucumbers during the season."

"That's the way it goes," returned Mr. Schiller. "If the Devil doesn't get you, the weather does. But at least we can say that the worse the weather is, the more entertaining it is. New Englanders will have their hurricane to talk about for a long spell. How was the wind down your way?"

"Not so bad. Just a few trees blown over - no houses damaged except by water. I suppose you've heard that our town lost nearly all its bridges."

"No, I didn't hear but I suspected it. I've been so busy this fall with farm work that I haven't got down to the village since the storm. Of course you noticed that the road in front of our house is still closed. Nobody has passed here for several weeks. Several times I've walked down to a neighbor's and picked up my mail, otherwise I guess I'd not even have known about the hurricane."

"You're really very much out of things, here, aren't you?"

"Yes, we are indeed! Not that it matters much, I suppose. In the summer our nearest neighbors are two miles away, but they might as well be fifty for all the communication we have with them, seeing that they're new summer people and they have no time to bother with the likes of us. Excuse my working like this picking these beans, but I'll be through soon. I'd like to fill this bushel basket before I go to the house."

"Just keep right on - nothing's more important than beans. What's the matter - don't you like city people any more?"

"It isn't a case of liking or not liking them. You know I came from New York city myself close to fifty years ago. I was only about twenty-five when I left my office position in the phonograph shop, where I became implicated in a big patent fight. The lies and hate that I saw thrown around there made me rather ill, morally ill at least. It was there that I realized a business life was not for me, so I decided to leave big cities behind and spend my remaining years where I'd have more of a chance to keep my self-respect. I came up to this country - to this very farm - and haven't been away from it for more than a few days at a time, since."

"Well," I replied, "you certainly have put in a spell here, and I guess you've seen many farming and social changes come during that period! Tell me, do you think people are happier today with all their gadgets and leisure time?"

Mr. Schiller straightened up to his full six feet and three inches or so of height, and gave me a long, searching look as if to ask, "Do you really want to know what I think?" then volunteered a forceful answer.

"Most people don't really know how to live these days, with all their chances to get enlightenment! Why, even the country people hardly know each other any more! They pass one another in cars as they go back and forth to the movies, but that is about all there is to their social relations, I can remember when a neighbor was really a neighbor - a friend indeed - but those days are gone.

"Of course this section has suffered greatly from emigration. Fifty years ago there were still many farms operating, but now there are not three real ones left in the township. Almost all the old hayfields are grown up to woods or brush. Ours looks like a farm, and we live almost exactly like old-time farmers, but we take little to market except a few eggs, honey, and firewood. Now and then I sell a picture, and occasionally Henry gets a little chair-bottoming to do down in the village. We trade eggs and honey for the few odd supplies we need, but depend almost entirely on our own farm for food. We use all our own milk; every year we can hundreds of jars of vegetables, fruits, and berries; we store cabbages, turnips, carrots - and beans, as you see."

Mr. Schiller paused for a moment to lean over and give his beans a vigorous shaking so that they would settle down in the basket, then he continued.

"And that's how we manage to get along. We do all our own work. We bother no one and we try to keep other people from bothering us, but don't succeed very well during the blueberry and the hunting seasons. We try to pay our taxes by selling wood, and it's a lucky thing for us that the farm is big with plenty of wood on it.

"Of course very few people would care to live like this nowadays, without having any modern conveniences in the house (as they call them), without a car and without neighbors. Times often get pretty hard for us, but when we hear about wars in foreign countries, and unemployment and labor troubles in our own, we feel content to hang on as we are. Henry does most of the heavy outside work while I do all the cooking and housework."

"Don't city people sometimes come and try to buy the farm?" I inquired.

"A few stop every summer and fish a little for it, but finding Henry cool to the idea of selling, they usually don't stay long. City people seem to have the idea that all farmers are aching to sell their farms, and I guess they're rather surprised at Henry's attitude. But most of the people who have stopped recently do not want to buy the whole farm. They want only to buy an acre or so with the privilege of using the other 400 odd acres thrown in! They don't say so, but that's the way I figure it. But of course we will not consider any such arrangement. Such people would pick our berries, trample our grass, damage the woods, and scare the deer away. We'd finally be feeling like trespassers on our own property, I expect.

"I'm not running down city folk, mind you. Once I was a city man myself. I'm just pointing out that the average person, whether of the city or the country, cannot get close to nature! Some sort of a conversion is necessary before that is possible. Did you ever know a farmer who would stop what he was doing to look at a sunset?"

"Yes, I've known one or two who would".

"Then you've traveled further than I have! My own observations have convinced me that rural folk as a whole have no deep feelings for nature. They might have, if they had some...what shall I say...perspective of comparison. That is, I think that we can appreciate one kind of living only after we've experienced a different kind of living.

"In my own case, for example, I knew exactly what I wanted from nature when I left New York city to live here. Mostly I wanted peace and quiet, honest neighbors, an opportunity to work with the soil, and enough leisure time to paint pictures.

"All those conditions I have had off and on, for fifty years! I'll not go so far as to say that all my dreams have come true, for they have not. Perhaps the important thing is that I've largely learned to hold my dreams, or my desires, in check. Perhaps my gardening has been more successful than my art, yet I'm not unhappy about it. I've made my gardening an art as I've tried to make my living an art. And in my opinion, no one occupation should be held above another. The best of anything is the thing to praise - the best statesman should be honored along with the best horticulturist, musician, painter, author, or general scientist."

"I think I agree with you there," I said, "and these days it's hard to excel in anything, competition being what it is. Have you sold any pictures recently? I'd like to see some of your summer's work, if I may."

"My basket's almost full and we'll go to the studio presently. No, I haven't sold anything lately, and I didn't have time to do much painting this summer - the weather was so frightful. I could hardly keep the weeds down, let me tell you! But the heavy rains were good for my young fruit trees and berry bushes. There! that will be enough bean-picking for today. Let me show you some of my new plantings."

Mr. Schiller led me about, pointing out the new fruit trees, berry bushes, and plants which he is experimenting with. It was such a garden as the average native-born farmer would never dream of planting, for here it was obvious that plain utility had to share the ground with experimentation and the pure delight of gardening. We came to his bee hives and noticed that the insects were still working, though nearly all flowers had been killed by recent frosts.

"I got badly stung this summer. A loud-talking stranger came in here and got the bees excited. One stung him and he started swinging his arms and running. He created such a commotion that the bees turned on me, too, and I must have got over twenty stings. That's the trouble with these Italian bees - they're great workers but very temperamental. My bees have put up a record amount of honey this year, but I almost doubt it would be worth while trying to sell it, honey is so cheap. Now cane this way, and we'll go into the studio."

We walked through high, uncut grass which glowed like gold in the mellow light of the falling sun. The whole landscape looked like a great picture of ripeness and tranquility. Only the sound of our walking and the faint song of a cricket embroidered the quietness; and when we entered the darkening studio situated under great maple trees, brilliant with autumn foliage, it seemed that we had come to the very abode of silence.

This room is high and of good size, but it contains so many accumulated treasures - pictures, old magazines, and trophies picked up in the field, such as hornets' nests, dried flowers, cat-tails and so forth, that it seems small. Doubtless some of the high hung objects have not been disturbed for many years, and everything breathes out an atmosphere of an era long gone.

On Mr. Schiller's easel was an unfinished canvas of a deer emerging from a deep wood. The animal had been painted with skill, understanding, and beauty, but the very blending of colors somehow suggested the fading lights of age. And as I looked about the room it seemed to me that age, like a grey stain, had touched and tinted everything, all the material objects, every thought and dream of the lonely artist who worked within it. Obviously, bright, shining colors were not for this man.

"It's a nice picture," I said at last, "and I can see that you haven't been influenced by any of the new schools of art. Don't you like the cubists, the impressionists or the new surrealists?"

The artist was standing slightly behind me, and there was such a long silence after I asked my question that I turned around to look into his face. His reply was written on his features, which had taken on a cold expression of contempt. His lips were firmly compressed together, and with a little embarrassment I realized that I had touched upon a topic of discussion that was taboo so far as he was concerned. So I hurried to change the subject.

"But don't you sometimes long for the companionship of other artists and educated men? Really now, wouldn't you like to live in New York once more and submerge yourself in human activities there? Don't you sometimes think that you have milked this sort of existence dry? Besides, most people have a hankering to return to the scenes of their youth."

Perhaps it was a good thing that my acquaintance with Mr. Schiller had extended over a period of seven or eight years, for no doubt it seemed to him that my questions were rather personal. However, he took them well, and after gazing for a long moment up through the studio window into the colored leaves of the maple trees, he answered:

"This is my home, now. It's true that I am getting old and that it is no longer easy to get along here. But at any rate I have something to do - at least I'm functioning like a normal creature of nature. I see enough of people, and I'd rather continue cultivating my garden than to cultivate new friends. Garden crops are more dependable. No, most of my traveling will continue to be done on foot. I still take twenty mile walks when the farm work is slack, and not only do I enjoy walking just for the sake of walking, but I find my subjects for painting while wandering in abandoned places. See, here's a painting of what is left of an old sawmill I found far back in a thick woods on the banks of Black Brook. I like to remember what other folk forget. People have the mistaken idea that the present is more important than the past, but it isn't, any more than a new gold coin is more valuable than an old one. Values are cumulative. Years are like bricks in the walls of a house that we must live in, and the old bricks serve as well as the new. As much as I understand of it, I like Einstein's theory of relativity; and if Mars is really inhabited by people, I'd be very interested to know what year it is there. Certainly it would not be nineteen hundred and thirty eight!"

Mr. Schiller paused, and I noticed that the room was rapidly growing darker. It was time for me to leave. I knew that my companion had his evening chores to do, and I did not want to keep him from them. The sun was just about to go down as I got outside, and I was looking at it when I heard my host exclaim in a low voice: "There they are!"

For an instant I wondered what he meant, but on turning my gaze to the direction in which he was looking, I saw two fine, sunlit deer standing not more than a hundred yards away in the middle of the hayfield in front of the house. For a moment they stood intently looking at us, then they began again to eat the new autumn grass of the field, as if they had as much right to it as the cows of the farm.


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